you’re listening to an album, having a great time, and a really good closing track comes on. It’s an epic finale, or a lovely sweet little outro, or one that neatly ties up the themes of the album …
and then you realise that somehow there’s another track or two still to go! the tracks might be good, you might even love them, but they just don’t fit as well at the end
thread brought to you by Death Cab - The Photo Album
Debate Exposes Doubt is a good track, and the instrumental second half is strong and moody. But it makes the album end in this unsettling, unresolved mood that never quite worked for me.
And you had Coney Island just one track earlier! This beautiful bittersweet peak-DCFC ballad which ends with a lovely rising piano melody … every time it ends I think the album is done, and every time I’m a little disappointed
It’s a Shame About Ray originally ended on Frank Mills. After the very early pressings Mrs Robinson was added. It’s the song that got me buying the album when it was new, but I now realise it’s better without it
Carrot rope on the original track listing of terror twilight. Don’t have such big problems as some people and it’s ‘fine’ as a single but it ends just fine with the hexx. It’s like a weird bonus track
Actually while I still think it’s a great song, we got that super-duper double LP edition a year back and now I’ve got used to the album finishing the old way and Mrs Robinson opening the extras disc.
Really don’t like it when an album ends on an instrumental, so never understood why Yoshimi Battles The Pink Robots doesn’t end with All We Have Is Now.
Also, Reveal by REM is not really a very good album anyway, but I’ll Take The Rain is such a big grand ending type of a song, doesn’t make any sense that it’s not the last song