Suede released nothing good or successful after 96 so it’s fair to say that even if you wrongly call them Britpop they were destroyed by it.

I met Badly Drawn Boy at a festival once, in the queue for chips. He asked us if we were going to go see him later and we said that we were. We weren’t.

I loved the debut album at the time, and Silent Sigh was a banger. 3/5.

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He’s still there. Waiting for you.

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…until they reformed and became one of the best adverts for a successful reformation going, delighting fans and entirely rehabilitating their standing with critics, The Blue Hour was really great!

I don’t think Britpop killed Suede anyway, a fatally awful album 5 years after Britpop died is what did for 'em.

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Certainly a good Suede album for the fans. Just sounded like an attempt to do Dog Man Star all over again to me.

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This track is forever associated with ghastly Chris Evans breakfast shows for me, so for that reason I hope it burns in hell forever. Along with ‘Yes’ by McAlmont and Butler.

:frowning:

Yes by McAlmont and Butler

  • Tune
  • Shite

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I fucking hate it with every inch of my soul.

Captain Beefheart - Britpop.

Used to hate it but it was mostly because I was mad at Butler for leaving Suede and then I got over myself and now appreciate it for the banger it is.

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Another tune from the time teenage Yvash thought was a load of shite and now knows much better is Edwyn Collins - A Girl Like You. I have no idea why I hated it so much. It’s fucking brilliant.

See also: Return Of The Mack. I loathed it because Mark Morrison is a Grade A Bellend but fuck me, once I put a few years behind it, what a bop.

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Does the new load of post punk bands (black Midi, Squid etc…) have a scene name? Or do they escape the curse now there’s no music press anymore?

This is how I feel about Cry Me A River. 11 y/o Pervo hated Justin Timberlake with every inch of her soul. In hindsight, 11 y/o Pervo was a fool, Justin might be a bit of a ballbag but his Justified/LoveSexetc/20 20 Experience stuff bangs

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Ocean Colour Scene - Mandible

It was out around Eurovision time in 1995 and I still contend to this day that it would make the best Eurovision song contest entry ever!

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How is this even up for debate?

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I liked Girl Like You, then hated it as it got played a lot. Like lots and lots and lots

Pleased to hear it now cos it doesn’t get played that much anymore

I had an identical experience with Return of the Mac to you

Thinking about this it’s odd how they decided what was Britrock and what was Britpop/indie and they wouldn’t cover. E.g. late 90s Manics were considered rock but Radiohead weren’t.

Seem to vaguely remember Manics were always really positive about rock & metal. Said they were into GnR etc. Maybe this endeared them to Kerrang?

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