šŸŽø Ballad of a Thin Man: the Dylan Listening Club - Shot of Love (1981) - from post 1122

Shit music for wankers

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and his best song in general

Someone’s got it in for me,
They’re planting stories in the preeeeeeeeeeeessssssssssssss!

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Idiot Wind probably has my favourite vocals - or line deliveries more specifically - of any song ever

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Planet Waves catch up before BOTT. V good album, excellent artwork imo - benefits massively from having The Band back on board filling out the sound and cramming in all these little ideas under and around the melody rather than just basic backing. Robbie Robertson said it was as good as they could make it given how last minute the sessions were, with Dylan not having the songs written ahead of it.

I even like Dirge - the piano backing was apparently a late switch, and I imagine works better than a strummed version would.

7.5 rounding up to an 8 given the high points and the step up again from the last few.

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Back to Planet Waves

Warm, loose, easy – all the good stuff from this era. Great organ playing all over this.

On a Night Like This is such a fun opener, almost danceable for Dylan. Tough Mama is similar, great groove and energy and some of Bob’s liveliest vocals. That one is really great, up there with anything else from this time for me

Forever Young fast is clearly superior, dunno what the rest of you are hearing. But do like both versions and they work weirdly well as a pairing – probably even better when they’re the closing/opening tracks of different sides of vinyl too. Also sure I’ve heard the lyrics plenty before but didn’t realise it was a Dylan track somehow

Wedding Song is a good capper too. Stylistically feels like a proper 60s throwback but with him bluntly declaring how he’s moved on from that time. Very effective

It’s never been my duty to remake the world at large
Nor is it my intention to sound the battle charge
Cos I love you more than all of that with a love that doesn’t bend
And if there is eternity I’ll love you there again

Dirge bad, rest good. Quality b-tier (or c-tier) Dylan

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Not really listened to BOTT for ages, and for some reason I had it in my mind that it tailed off a bit in the second half, but I’m totally wrong, ā€˜If You see her…’ and ā€˜Shelter from the Storm’ are on there!

Can’t think of it as anything other than peak. As others have said, some of his strongest singing and lyrics on Idiot Wind. Beautiful, heart breaking tracks like ā€˜You’re a Big Girl, Now’, and maybe his greatest ever song in ā€˜Tangled up in Blue’.

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Also, it’s an old joke about him changing the way he does his songs live, but there’s also this, sounding like the Clash!

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There are some small signs of him picking up and getting a bit more focussed on Planet Waves, but still feels absolutely nuts that he put this out at this stage in his career.

Was clearly starting a run of inspiration here as the next 2 are great as well IMO, but to just come out with one of the greatest albums of all time a couple of years after dicking about with When Dogs Run Free, songs about cowboys chasing turkeys around and absolutely pointless covers of Big Yellow Taxi etc feels wild to me

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definitely agree, keep getting carried away by lovely lead guitar sections on PW even when the songs aren’t his very peak - Never Say Goodbye having that effect on me just now

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Absolutely love this version :heart_eyes::heart:

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Yeah agree with this. Always knew this was the big comeback but it’s quite striking after you listen to them in row. 4-5 unfocused records in a row followed by something so musically and lyrically tight. Amazing what heartbreak will do eh?

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Dirge is good

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Yeah, I started a post along these lines last night, but didn’t get chance to finish it…and you’ve put it better than me anyway.

As I imagine is the same for most people, my first Dylan listening was front loaded with all the big hitters - BoB, Freewheelin, Highway 61 & BOTT. You can hear the progression and evolution of his sound from album to album with those first three but listening chronologically really underlines in a way I’ve never appreciated before just what an incredible, and I’m sure unexpected return to form BOTT was.

Even as someone who enjoyed Planet Waves, it was more of a sign that he was writing solidly again, not trying to self-sabotage and allowing the arrangements to be fleshed out than an indicator his next great record was just round the corner.

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why do you insist on getting Dylan wrong

hmm

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that Airline guitar is cool as fuck, goddamn

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The whole album is dirge

Just catching up on the last few weeks. ā€œPat Garrett & Billy the Kidā€ did very little for me, ā€œKnocking on Heaven’s Doorā€ aside; guess I need to see the film. I actually quite liked a lot of ā€œSelf Portraitā€ and ā€œDylanā€ on first listen, although there’s obviously a lot of guff on them too, and the back-stories for each are probably more interesting than the music.

I can see why these albums got such a bad rep at the time because it’s so far removed from his ā€˜imperial phase’ material and there was no indication he was going to bounce back so emphatically with ā€œBlood on the Tracksā€ (same thing with the 80s albums and ā€œTime Out of Mindā€, I guess). As a Manchester United fan I can relate to the frustration of not knowing whether your former hero is ever going to recapture his glory days. With the benefit of hindsight, though, they’re just a couple of fairly inessential albums where he’s obviously having a laugh with the pressure off.

ā€œPlanet Wavesā€, for example, would probably have been bitterly disappointing as ā€œthe new Dylan albumā€ in 1974, but in the context of the Listening Club it’s nice enough, with some cool musical foreshadowing of the next album. And ā€œBlood on the Tracksā€ is just outstanding, some of the best songs and lyrics ever written by anyone. ā€œTangled Up in Blueā€ is his best song, for me, and ā€œIdiot Windā€ comes close too.

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Really nice way of putting it (as a fellow long-suffering United fan as well).

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