I was lucky enough to work for a ballet company until recently which was…an experience. Also composed a ballet score a few years ago but it’s not something I’d ever jump at the chance to do again.
Got to see some incredible productions: new interpretations of the classics like Swan Lake, Nutcracker, Romeo & Juliet as well as newly commissioned works based on famous literary works. Rehearsal process, dancer training and daily warm-ups were fascinating to watch, and the education programme was one of the most inclusive I’ve experienced in the arts.
Struggled with many aspects though, mainly administrative, like how white, middle-class and male the ballet world is and what little was done to change this across the sector. Also the friction between needing to put on huge box office hits vs artistic integrity meant one inevitably suffered. The vast budgets and resources required to stage even the smallest of ballets was eye-opening, and being involved in how artistic decisions were made was a shock. Glad I’m out of that world now, it wasn’t for me.
Ballet fans - balletomanes - and their knowledge was something to behold! They’re so enthusastic (in both good and bad ways) and a totally different kind of supporter than any I’d ever come across before.
Soz, bit tl,dr that.