Dillinger Escape Plan

You aint NIN lads.

So would that be around Ire Works then?

Yeah, although obviously crept into Miss Machine a bit as well but I think they pulled it off there. It got annoying on Ire Works.

Aye bit of a patch work is Ire Works… which I think they’d admit too themselves. Not much synth wankery on Option Paralysis or OOUITK that I can think of on the spot

Personally reckon The Twilight Sad dropped a massive bollock on No One Can Ever Know, which was a bit more synthy than their previous output. Regained momentum a bit on the next one though.

1 Like

Never mind, should’ve check the thread first, seems this is a common touchpoint.

i gave those half a chance but just seemed like retreads. think i really stopped caring when chris pennie left.

Ah see I discovered them with Option and went backwards from their so that’s the benchmark for me. Chris Pennie was (is) something else. Billy Rymer’s no slouch on the throne either mind

Shocked that the Twilight Sad have been mentioned a few times already, didn’t realise that people viewed No One Can Ever Know as major drop off. I love it because of how cold and bleak it sounds.

2 Likes

Ghostpoet dropped the electronic stuff and had a full band last two albums but he was still amazing.

(TBF he always had a couple of band tracks on his first album)

Those first 2 Kraftwerk albums are amazing also, though. I mean no matter what they played clearly a massively talented bunch (damn them!)

1 Like

It’s weird, one of my number one pet peeves is bands doing this, but I’m having trouble thinking of a lot of unsuccessful examples right now (probably because I abandoned them on the spot). By no means a complete list, and some of these might not count due to not being enough of a departure or not being purely synth-based, but they’re good examples of how to do it well / not well I think.

Bands that pulled it off:
The Smashing Pumpkins
Radiohead
Greg Dulli
The Flaming Lips
The National
Strange Ranger
Wye Oak
Twilight Sad
Blonde Redhead
Sufjan Stevens
Bon Iver
Blink 182
Cheatahs

Bands that hurt themselves doing it:
Arcade Fire - They became horrendous.
Silversun Pickups - They’re still trying at least and the last album was a step up so I’ll give them credit, but they’ve sterilized themselves. I miss the band that made Pikul and Carnavas and half of Swoon so, so much.
Mr. Gnome - There’s still some merit to be found, but I’m devastated that they abandoned their guitar assault.
White Lung - “Below” is a bottom three Blink 182 song.
Japandroids - “Arc of Bar” is an embarrassment.
Alkaline Trio - Not much to say, an angry band that lost the fire.
311 - Good lord

Our lord and saviour Soofyan Stevens made Enjoy Your Rabbit long before establishing a banjo sound for himself with Michigan, Seven Swans, Illinois. So I suppose he’s actually an example of an artist who ditched synthesisers and pulled it off (and then picked them back up again and pulled it off once more).

2 Likes

If he pulls it off any more he’ll go blind.

5 Likes

Editors. Really liked that second album, synthesisers on the third one hurt my ears.

1 Like

Did Depeche Mode sort of do it? Their first couple of albums were the definition of synth-pop but as they broadened their sound they got more interesting.

And there’s Moby’s metal album, of course.

1 Like

Hasn’t, like, every single surviving emo band now turned into a sub-par Skrillex-does-pop knockoff?

Yeasayer. All Our Cymbals was an excellent organic mishmash of a record and then they followed it up with Odd Blood with all these nasty synths and shiny beats. Saw them on the tour for the latter and the audience had changed to being full of trendy twats as well, making it all round a pretty grim experience.

Midlake possibly went the other way. I saw them supporting someone (Yo La Tengo maybe?) around the time of Van Occupanther and their support set was pretty much cut in half because it took that long to set up all the millions of keyboards they were trying to cram on stage.

They should have gone big after the steady build of that record, but then they dropped a load of the keyboards, replaced them with things like recorders and made the stinker that was The Courage of Others. They were in bigger venues than they’d ever been before touring this terrible album that killed all the momentum they spent years building.

you need to get into the emo revival thread

The Horrors

1 Like