Full list is now up

Truly extraordinary that 11 of the top 15 on the composite AOTY list are by female artists (you could say 11.5 if you include Low). It’s been a development over the last few years but that’s an amazing figure. By comparison the equivalent list from ten years ago (on acclaimedmusic.net) has two female artists and another two female fronted bands in the top 30.

Can’t believe they still drag this list out for so long.

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Simply don’t get the love for A Poem Unlimited at all. Compared to Half Free it’s such a let down. The live band sound route that Megan is heading down is so jarring and incongruous in the context of her career hitherto. But even if it wasn’t, the songs just aren’t there barring the odd track. For me the biggest disappointment of the year.

https://www.sputnikmusic.com/blog/2018/12/21/staffs-top-50-albums-of-2018-10-1/

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forgot to vote this year, but then again I don’t really read p4k anymore so

I pretty much just vote as a courtesy to let them know the “Best Live Act - The Smashing Pumpkins” guy isn’t trapped under a pile of something.

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I really must be missing something with the Mitski record.

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If you think the songs are just worse then fair enough, but I don’t get the whole live band issue.

Artists change up their sound all the time, I don’t see why her songwriting being “different” to how it was before suddenly becomes “jarring”. Surely the album stands or falls in its own, why does it have to be considered in the context of what came before.

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I’m just an old stick in the mud. When I got into her music 10+ years ago she was a straight up, hard-core noise artist, and, although she’s been slowly evolving her sound since U.S. Girls on KRAAK, this is a complete 360 degree turn, which I just don’t like. Maybe if the songs were better I’d feel different but I don’t think so.

Greta Van Fleet at #12. Good work lads :slight_smile:

This is the first album of hers I’ve listened to so I’m definitely not coming at it with your levels of knowledge. I can see how that much of a change would be tricky to handle tbf

Have you heard Half Free?

For me that’s her high water mark. It still has that experimental element to her music but it was her first truly accessible work. One of the albums of the decade, imho.

Nope, I’ll give it a go!