Weirdly The Price you Pay didn’t kick in for me until my delisted at the start of this week and I loved it. Maybe third best on the album. It just feels like a real epic.

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Oh yeah for sure, but for some reason I always thought the whole second disc was like Nebraska, so was pretty surprised to hear ‘I’m a Rocker’ and ‘Ramrod’!

Have found this one much more difficult to get into than all that proceed it. Feels like just a bit too much. Some songs I really like but feel like I’m having to get through a few album tracks to get there. Just kind of echos what other people have been saying really. Really like The River, Stolen Car and Jackson Cage though.

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Yeah agree entirely. I’m not usually a fan of double albums and do feel if I really gave this time would probably get a lot out of it (enjoying it more with every listen) but not really on the same level as the two before it IMO

10/10, imo. As with nearly all double albums there are a few tracks that could be pruned (I Wanna Marry You and Ramrod, for me), but the hit rate and range of emotions is so great that it feels wrong to quibble.

Tracks like “I’m a Rocker” and “Cadillac Ranch” are extremely silly, but the energy is really infectious and I love the whole “live set” feel. And the title track beats “Darkness” at its own game, an absolute classic. Bleak as hell, but the incredibly earnest “ON ACCOUNT OF THE ECONOMY” line always makes me chuckle.

Have always thought of “The River” as his answer to “London Calling”, just throwing everything at the wall and seeing what sticks. In fact I seem to remember Joe Strummer claiming that Bruce ripped off the double album concept from “London Calling”, except he did it to fleece his fans, so The Clash one-upped him later that year with “Sandinista”, a triple album… A tenuous claim at best, but I appreciate the similarities between the two!

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I agree with what nearly everyone has said, both positive and negative, but imo The River is a great album. Yes it feels a little messy at times and it doesn’t quite fit together, but that’s what makes it so good.

The uptempo tracks are good fun, throwbacks to 50s pop, Elvis, punk - so many influences. And the slower tracks hint at what’s to come next with Nebraska. Only Crush on You and Point Blank miss the mark for me, but on a double album that’s a good hit rate.

Stolen Car is one of my all time fave Bruce tracks, but you’ve also got Fade Away, The River, Out in the Street, Ramrod. When you factor in the quality of the tracks that were left off this and “Darkness…” it really is incredible to think how prolific he was in this period.

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Roundup and scoring day for The River

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0 voters

Really late on the thread in general this week, but I’ve never been a massive fan of the album, as there just are a lot of chaff songs in there.

This, too - there’s always a feeling of him looking at you while he sings and going “see, this is directly political, mates! Old Brucey here knows his politics” like a sixth-former who knows that neoliberal economics is something, and knows they don’t like it.

That said, the rest of the song is absolutely a top, top, top song.

All the srs songs are great, and very much of a piece with the two albums either side, while the upbeat songs are indicative of where he was going to go with the song Darlington County.

Gone with a 7, but could have been an 8. By normal standards it’s probably a 9, but this is Bruce so 9/10 has to be reaaaaally good.

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Just realised the extent to which Titus Andronicus made me realise I would probably like Bruce Springsteen’s music. Think it’s because the intro to Price You Pay reminds me a bit of Joset of Nazareth’s Blues’ intro.

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Nebraska

(September 30th 1982)

Nebraska
Atlantic City
Mansion on the Hill
Johnny 99
Highway Patrolman
State Trooper
Used Cars
Open All Night
My Father’s House
Reason to Believe

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Others will describe this album much more eloquently but it’s amazing how it manages to sound so sparse and yet so cinematic simultaneously. Work of art.

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Going in now with Nebraska. Think I’ve overhyped this one in my own mind so I’ll let you know how it goes!

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Late to this, but I really enjoyed The River. The difficulty with voting a top two here and on the previous two records is that there’s at least a couple of massive GOAT picks on each that are hard to look past.

After the darkness of, umm, Darkness… I thought the party atmosphere on River was a welcome contrast. It either runs out of steam towards the end, or I need to give the later album cuts more, but the first seven tracks are all tons of fun.

Can hear some new wave creeping into the sound which I enjoyed. I dont know the respective timelines well enough to know who might have influenced who (if either), but some stuff on here made me think of the likes of Elvis Costello and Joe Jackson.

The River is a gimme as one of the two tracks, but struggled to single out a second. Settled on Jackson Cage in the end - the anger and hopelessness of the lyrics against a strong melody and that cool organ really pushes the new wave/ London Calling era Clash buttons mentioned by @drspaceman.

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Fuck, Nebraska is just flawless isnt it! Had an errand to run this evening and driving on the motorway with a low sun in my eyes, this was the perfect soundtrack.

Got goosebumps singing along to that last chorus in Highway Patrolman;

Me and Frankie laughing and drinking, nothing feels better than blood on blood
Taking turns dancing with Maria as the band played “Night of the Johnstown Flood”
I catch him when he’s straying, like any brother would
A man turns his back on his family, well, he just ain’t no good…

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Highway Patrolman then State Trooper is another classic Springsteen one-two in the middle of an album.

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Yeah, I love the sound he gets out of that little two string State Trooper riff - the unrelenting thud with Bruce whooping and hollering the top of it sounds immense!

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Glad we’ve cleared this up

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Another one that is special to me that I don’t listen to that often. I still clearly remember listening to this in the hospital the morning after my wife was induced so our first son could be born. We were already so tired and went out and looked at the sunrise and had weak hospital coffee in the room while we waited for the next stage.

I love how stark and simple this album is. Feels very Dylanesque with the harmonicas wailing on each track but Bruce’s singing and acoustic are so much warmer than most Dylan tracks. The title track is so so bleak, I never really listened into it that much but it’s about a Natural Born Killers spree killer type couple. Absolutely love this:

They declared me unfit to live, said into that great void my soul’d be hurled
They wanted to know why I did what I did
Well, sir, I guess there’s just a meanness in this world

I really like Atlantic City as well with the echoey backing vocals, and especially this line:

Everything dies baby that’s a fact
And maybe everything that dies some day comes back

Johnny 99, from reading the lyrics, could be a Johnny Cash tune for sure. It’s an outlaw country song at its core, and I could imagine it being on the At Folsom Prison album with the inmates cheering for Johnny and booing at Mean John Brown. Again super simple and sparse instruments, love it.

Well your honor I do believe I’d be better off dead
So if you can take a man’s life for the thoughts that’s in his head
Then won’t you sit back in that chair and think it over judge one more time
And let 'em shave off my hair and put me on that execution line

Highway Patrolman tells the other side of the story, from the patrolman who has a brother that ain’t no good. Super simple with just a glint of hope that Frankie will no longer be the patrolman’s problem after escaping to Canada, but still super sad that he has lost his brother who he loves for all his faults. This one sounded so much like a Cash song too then I found that Cash released this album with a cover of this song and Johnny 99! Going to listen to that next Johnny 99 - Wikipedia.

State Trooper sounds menacing as hell from the get go. Reminds me a bit of Fargo season 1, Billy Bob’s character and his encounter with Colin Hanks’ character. Have to echo what @woweezowee says above, Bruce sounds like a werewolf baying at the moon in this one:

And again with Open All Night, sounds like an Elvis Costello song to me as well. Definitely feels like the most “upbeat” song on the album. My Father’s House is beautiful, sounds like a folk song, with a pretty crushing theme of a son trying to reunite with his father only to find it’s too late. Some things you just can’t fix, and the time to try was many years past.

I walked up the steps and stood on the porch
A woman I didn’t recognize came and spoke to me through a chained door
I told her my story and who I’d come for
She said “I’m sorry son but no one by that name lives here anymore”

Overall this is more of a pure “Springsteen” album, there’s no sign of the E-Street band, it’s really odd to have a record without the big man’s sax. Seems a lot more down in the dumps Bruce on this album, there’s no happiness or hope here. It’s a wish for a better life that’ll never be fulfilled.

Probably a 9 on this one for me. Perfect length and great storytelling though I do miss the band.

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This is the gateway Bruce Springsteen album. Liked it long before I knew I liked really liked Bruce Springsteen and still reckon I have listened to it twenty times more than any other album. Highway Patrolman, State Trooper and Atlantic City are all incredible. Have already listened to it three times this week which is only two listens short of how many times I got through the river.

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His best album for me. Stunning.

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