Carly ⭐ Rae ⭐ Jepsen

[kiyonemakibi]

[Yesiamaduck]

Oooooo the production on this is really punchy, I love it

[Scott_Chegg]

Heartbeats is it?

[bluto]

this is fucking great

[bluto]

TOMORROW

[Avery]

Today!!!

[Yesiamaduck]

NOW

[Konichiwa_Bitches]

[Konichiwa_Bitches]

[shrewbie]

seeing her in 2 weeks and 2 days
gonna gorge myself on this in the meantime

[anon19035908]

Well this is absolutely glorious so far. Got up to Want You In My Room on the way to work, can’t wait to get stuck in to the rest now.

[AQOS]

this is very good

[Scott_Chegg]

Real Love is a very good song, so is For Sure

[hanshotfirst]

There are so many screamers on this album.

[Avery]

yeah, this album is lots of good. Can’t wait to finally see her at Primavera. Still so annoyed with not going to see her in Islington or wherever, a couple of days after my birthday in 2015.

[parm]

I am, unsurprisingly, enjoying this tremendously. Serious doubling down on the retro production, especially Want You In my Room.

Getting quite a French disco feel from a lot of this, too - almost a bit Breakbot in places.

[FKA_Adam_Jeffson]

Yeah on first listen this bangs. Only track I wasn’t grinning like an idiot to was Everything He Needs, where the chorus was a bit of a letdown.

Otherwise sublime

[Scott_Chegg]

Everything He Needs, where the chorus was a bit of a letdown.

You are me

[bluto]

Want You In My Room will basically be dissected by every production student for years to come

[parm]

Yeah on first listen this bangs. Only track I wasn’t grinning like an idiot to was Everything He Needs, where the chorus was a bit of a letdown.

I like Everything He Needs, but it’s a bit of a change of pace after the opening four absolute bangers. Reckon it needs to be on at a summer party on a playlist with a bunch of other cheesy party reggae.

I think I’ll Be Your Girl is going to be the skip-track for me, because of the production as much as anything - the chorus seems to lack any low/mids - it’s all fizzy trebles, the snare sounds like a bin lid and that stab on the off-beat dominates the mix - a shame because the tune is great, but it really sticks out production-wise.

I instantly love the production on Want You In My Room, though; leaning hard on that LinnDrum, yesss.