not getting much love from you today!

Because I still never even heard of it!

I always prey on the weak, man!

fucking £10 million for a ticket for a shoogly chair? no thanks pal

cheeky fucker

no that’s dbox

cinema 4d is a graphics package right, @chris-budget??

kidding bro. you’re defo in my top 18% on here

yes! that’s right - there is a light version bundled with aftereffects now which i am starting to play around with - but the proper version is between £500 and £3000!

crazy money!

Couple of my content guys use it

I’m glad office morale has improved.

3 Likes

Nice :slight_smile:

Basically you sit on a chair and an usher shakes your bum whenever something goes bang

All of those 3d animation & effects programs cost a small fortune. It’s supposed to be a bit nicer to use than Maya or 3ds Max though.

I worked for a few weeks at an animation studio helping with some production stuff- being one of the lower level artists is a pretty tedious job. They don’t really get to do much creative, someone else creates the models of the characters and they just spend hours painstakingly setting them up and moving or modifying them to match the story board, hit render, then 20 minutes later or (actually often overnight once you start getting multiple characters, textures, lighting etc) discover that something’s a bit wrong and have to do it all over again. One of the people who worked there pretty much spent all day every day putting snow and rain on things.

While I was there they were making a tv ad for some phone company in Canada. They’d given us some pre-made models of animals like racoons and bears, and the script. Whoever had made the animals hadn’t quite done it right though, because their eyes went weird sometimes when you moved the heads. So lots of frustrated animators swearing at “that fucking cross-eyed racoon” all day. Then when they got it looking good, the company said they liked it, but would like some more cheerful lighting to make it look more like a sunny winter day. There was a whole day of fiddling with the lighting that made it accidentally look more and more tropical before they hit on the right lighting colours and arrangement.

I spent that time having to make an animation of a fake golf game that would appear on one of the phone screens, because apparently they weren’t allowed to use footage from the real golf game they’d planned any more.

oh i didn’t know you had done that - sounds quite interesting actually! not the show job so much, but the rest sounds alright
it’s just for my own stuff really so i don’t want to chuck any big bucks at it - maybe just stick with the light version and see how i go!

Yeah, I organised it as a paid studio placement while I was doing the MA, because it was useful to see how this stuff was done commercially. I was supposed to be there when they were doing 2d animation, but that project got moved, and I ended up feeling a bit useless being on a 3d project until they put me on the composition side.

One of my friends who is about 10 years older than us worked at a traditional animation studio back in Hungary (where she comes from) when she first graduated. Her job was erasing pencil sketches after someone else had inked them. Then she was promoted to carefully colouring in cels that someone else had drawn, and then eventually she was allowed to draw arms and legs (but never faces, that was for the senior artists). Now it’s all gone digital, I’m guessing there’s not so many openings for Junior Eraser Artist.

I don’t think you’ll need the pro version anyway, it’s probably really slow on anything but a Mac Pro, and I think a lot of the features are things like syncing multiple people working on the same scene, reverting back to previous edits etc, which are more useful in a big studio with lots of staff and nitpicking clients.

i think you get physics and dynamics add ons with the more expensive versions which allow you to smash stuff up and what have you - i might be totally wrong though

i’ll see how i go!

I’ll wait for your demolition derby Taylor Swift videos until you get the pro edition then.

Too right!

At least you are senior enough in Chris Studios to draw the faces.