It’s a bit like a lost artefact / a time capsule in a way then :smiley:

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Just scanned through my copy of the tape and it should be end of side 1. Can’t find it anywhere in my files, so it only exists on a deceased format now.

Feels weirdly appropriate for an album called The Function of Loss :thinking:

Also, I’ve literally just discovered my cassette deck has a ‘pitch control’ function, which means I can manually speed up or slow down the cassette… Which of course means I’m now going to buy a bunch of endless cassette loops and utterly abuse that feature for future records! :laughing:

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Ohhhhh whhhaaaattt, that sounds cool.

I used my old hifi’s tape deck a couple of times for the Detective is Dead, but it was mainly just shaking the tape around and pressing down on the heads and that. Pitch control would pretty much cost me a personal and professional life

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I’ve just realised that I can patch this in to Ableton through my interface as an external effect, so with a short enough cassette loop it becomes a giant live cassette delay pedal. And it’s a dual deck…

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This makes me wish I wasn’t ludicrously technically inadequate for someone who occasionally describes himself as an electronic music producer

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I mean, I’ve had this deck for three years and I’ve only just realised what it can do, so…

You know, the best ever phaser I ever had was an akai twin cassette

can yours play both decks at the same time?

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I’m not sure… It has individual controls for each deck so maybe.

I’ve realised though that I’m not convinced it’ll pass the cassette audio back into the DAW whilst recording so that might remove the live looping option. Will have to test it out properly.

yeah, I used to use my old 4-track as a tape delay as that had variable speed but also a ‘monitor’ switch that allowed you to select between direct monitoring the input at mixer level or the recorded signal at the play head. So, by feeding the play head signal back into the mixer and being careful on the levels you could get the delay between the record head and play head with repeats. Changing the ‘pitch’ or speed of the tape obviously changed the delay time

crude and shortish delays but useable

the phasing on my akai twin cassette deck was incredible though. Just take any tape, dub it to the 2nd tape, rewind both tapes to the beginning and press play simultaneously on both decks. The difference in tape speed between the two decks was tiny so you’d get this long, beautiful phasing swoop as the timing crossed over and deck A overtook deck B and then you’d just do a little tap on the pause button on deck A to nudge it back again for another swoop

try it

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Yeah, this is what is missing I think. I’m assuming it’ll just be passing back the direct monitored signal, rather than the recorded audio from the cassette.

Need to test it and your phasing technique though.

And obviously nothing to stop me from recording a drone, putting it on to cassette pitching it down and letting it run and warp, and recording that back into the DAW.

Definitely some potential for interesting sounds.

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Look what arrived earlier @Twinkletoes :heart_eyes: - it’s beautiful and the artwork kinda reminds me of Animal Collective’s Strawberry Jam cover (in a good way imo)!! Thanking you kindly.

Also @McGarnagle I gave The Function of Loss its first whirl the other day and the bonus / hidden track truly is a shimmering gem - lovely work indeed!

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Yay! Animal collective meets rothko meets silly baby!

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Yes! I can totally see the Rothko influence and yet also a style completely of Silly Baby’s own :blush:

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Paging @ghosthalo

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oh shit i’d better get making some new stuff :open_mouth:

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New Violet Mist album out yesterday. Nocturnal synthwave available on cassette. It’s good.

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Look at these lovely tapes!

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I’ve been behind on this thread, eh?

New one today is ethereal piano-led ambience by Andrew Tasselmyer.

And on April 30th we put own some deliciously murky synth compositions by Ffion.

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Yes m8

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The label is 3 years old. Crikey!

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