Not been keeping up on my lockdown viewing on this thread. It’s been…a mixed bag tbh tbf 
Beyond The Gates - watched this when it came out and enjoyed it enough for a re-visit. Glad I did as it is great fun. The backdrop to the film is an old timey video rental shop and the story revolves around a play by video game (anyone remember those?). This is shot in a classic 80s style, lots of dry ice and neon lighting, and features one of the all time great scream queens in the shape of Barbara Crampton (still fantastic). Enjoyable. 8/10
Let Us Prey - on the face of it, this is fairly generic enigmatic stranger comes to town stuff set in a (curiously) remote Scottish police station. What elevates it is the two leads - Liam Cunningham is reliably great in everything, but it’s particularly pleasing to see Pollyanna Macintosh get a decent role (and not be playing trash heap lady in The Walking Dead). The two of them carry the film, which has some decent enough gore and thrills. The culmination of both characters’ story arcs is particularly pleasing. 7/10

A Nightmare On Elm Street (2010) - had low hopes for this and it managed to comfortably not meet them. Lacks everything that made the originals both scary and funny. Also Jackie Earle Haley is a fine actor, but he doesn’t come close to filling Robert Englund’s shoes. There are some decent enough referential nods to the original’s dream sequences, but overall this is a big old mess. 3/10

Death Race - Death Race 2000 was an ever present in my local video shop growing up. This remake is far too slick to recapture the originals grimy charm, but does at least tick the exploitation flick boxes. Jason Statham does his…thing. Cars go whizz, guns go bang, Ian McShane continues to be in 40% of all new films released. Entertaining despite itself. There are a whole load of sequels to this apparently, all featuring yer man from Bros in the Stath role. 6/10
The Droving - Super low budget British folk horror. Has some genuinely tense scenes, but the pacing on this is all over the place - it feels as though they included every piece of footage they shot. Has a decent enough payoff to keep things interesting. 6/10

Faults - This is a nice mix of psychological thriller and black comedy about cult deprogramming. Leland Orser, who I’ve enjoyed in everything I’ve seen him in, is great in this - all slimy nervous energy. However, it’s Mary Elizabeth Winstead who steals the show here - previously I would have said that 10 Cloverfield Land was her best role, but I think she is probably even better in this. Nicely claustrophobic, this has a very satisfying pay-off. 8/10
