Blue Velvet
Mark Kermode hated this on his first watch…and grew to love it, so hopefully I follow that same path. This treads on similar ground to other works from Lynch with an uneasy and twisted life frothing away in the suburbs of the American Dream, but also falls foul of the usual bugbears I find with his work. I obviously know some of the quirks are intended, but the fawning for some of it still leaves me a little dumbfounded. I can still appreciate moments of his work, but seemingly not for me the majority of the time. 3/5 (Film 4)
What If
Some nice fresh ground for a rom com with everyone feeling engaging, charming and believable. The animations and on screen graphics don’t feel out of place and add a rather unique touch. It all fits together logically, ticks along nicely and felt like a warm hug to end the day. 3.5/5 (Netflix)
The 39 Steps
High tension, great reveals and moments of absurdity to lighten it up. Really kept me guessing and anchored by two amazing bookends. 4/5 (BBC 2)
Rio Bravo
Rather surprising change of pace from the previous works i’ve seen from Hawks, showing great versatility. Played fairly straight and the inevitable is teased and teased and when it comes all the characters have had more than enough time to mature. The musical section has a delightful ‘calm before the storm’ feel and sets the table nicely for the finale. The costumes, textures and colour palette are all gorgeous with the dusty oranges, golden yellows, fiery reds, moody blues and vibrant greens all looking amazing. 4/5 (BBC 2)
Booksmart
Was expecting something a smidgen more revolutionary due the heaps of praise and adulation, but it was just an extremely fun and fairly straightforward, loud and bawdy modern comedy. Can’t think of many better portrayals of genuine, supportive and endearing friendship since Gentlemen Prefer Blondes. Constantly found my warmth cooling with the more fanciful and out of reality flourishes kinda dragging me out of it as the people / world felt so real. Found it ‘fun’ not ‘funny’ and would love to revisit in a decade. 3.5/5 (Netflix)
The Graduate
The claustrophobia, naivety, anxiety, expectation and timid meekness weighing on Hoffman’s shoulders was brilliantly expressed through not only great performance but sound, perspective, framing, lighting and montages. Lots to admire with the second half feeling a decisive step down from the first. 4/5 (Sony Movies)
Saint Maud
Heard murmurings of something special, but felt it was a rather conventional psychological horror albeit with some interesting sound design and imagery. Shook my head (not in a good way) a fair few times in the last 15 mins which isn’t a great impression to end with. 2.5/5