I watched The Cable Guy last night. Kind of a solid 3 out of 5 film, that. I can see why it has a cult appeal because it is one of those films reckoning with informational overload and its effects that feels vaguely and strangely prescient (and there’s one scene towards the end that really is haunting and weird in a way that feels, for about a minute, like the film is having a psychogenic fugue or something).
But also I can see why it was kind of a disappointment at the time - as a comedy, it’s funny but doesn’t really sustain that for the entire film; and it doesn’t lean quite as far into the underlying horror and unease. Punch-Drunk Love gets the ratio better, I’d say, when it comes to doing that weird recontextualisation of a popular screen comedian’s persona thingy