I don’t see The Go-Gos’ debut Beauty and the Beat in many “Best Albums of the 80s” lists. If they’re included at all it’s usually in the singles lists

But it absolutely should be on any 1980s albums lists (and also kinda sounds like it invented early R.E.M?)

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I had no idea who Mary Margaret O’Hara was until seeing her at Le Guess Who? For some reason I was expecting some Cocteau Twins-esque dreampop but it was much more abstract. I could not stop watching her brother play the balloon in the background. Really love Miss America now.

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Kleenex/Liliput are a great post-punk band that I feel tend to get ignored over a lot of their contemporaries. Ain't you - YouTube

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Judee Sill was so talented. Every year or so I’ll go back to her stuff, and her guitar work, especially on the BBC live recordings, is incredible.

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That MMO’H song is so fucking good. It was on my Discover Weekly last year and I couldn’t stop listening to it. Gutted to just find out I missed her at LGW.

Heard Die Matrosen recently for the first time and loved it, didn’t delve any further so will do now, thanks

My recollection is that by the time they headlined Glastonbury Skunk Anansie were fairly gone from the public consciousness. They released the third album March that year and as a fan I didn’t really dig the singles and didn’t bother buying it. They disbanded in 2001.

Their performance at Glastonbury was really good, though. I had seen them already and as I say, not that into the new stuff, but I stopped by and stayed for the set. They got the Sunday slot though which is a bit of a wind-down and really I seem to recall a bit of bemusement that they were the headliner so I’ve never really been sure if a bigger act actually fell through or something.

Anyway, big love for SA in their heyday. They’re also very much in the film Strange Days which is similarly one of those things that seems to be forgotten but when you consider it was written by James Cameron, directed by Oscar winner Kathryn Bigelow and stars Ralph Feinnes that too is a bit weird.

I can only suggest it’s because SA were always too ‘metal’ to be quite in the Indie thing (I know I was a bit of a pariah for being into them) and not really metal enough to be big with the rockers. There’s a lot of that late 90s stuff that hasn’t really been revived like Big Beat or Trip Hop, but at least that’s a good thing. :wink:

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Yeah, if they were American they might have fitted into “Alt Rock” a bit better, but there wasn’t really that scene in the UK. I don’t think that calling their third album “Post Orgasmic Chill” helped. Listened to Charlie Big Potato last night on the bag of this thread though and it really bangs - don’t think I really got it at the time - little teenage rockist me couldn’t get his head around the breakbeat at the start.

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I loved SA back in the day. I do think Skin gets the recognition she deserves though. They’re still pretty big.

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Always thought Leila should have got more props

The reflex/warp stuff really kicked off not long after this came out and it just didn’t seem to get talked about the same way that 90% of the male stuff on the roster did. This is a great record though and should be in all those conversations.

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Just been reissued I think.

The follow up - Courtesy of Choice - is great too imo but got a critical mauling, which I couldn’t understand at all.

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I think this is probably it to be honest. AS someone who straddles that divide they do absolutely nothing for me.

(Was never going to move from the other stage that night though: it was Mogwai Mercury Rev Tinderskicks if i remember right)!

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Oh nice, may finally pick up a vinyl version then :slight_smile: I don’t think i ever listened to the follow up surprisingly as this one was a mainstay. I’ll check it out cheers :+1:

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I’m glad you posted about this as one thing that sprang to mind for this thread was the lack of recognition/promotion of female musicians in that whole 90s electronic music boom.

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Was listening to Neneh Cherry’s album Raw Like Sushi earlier having only ever heard Buffalo Stance and the whole thing is really good. I think I actually prefer it to any of Madonna’s 80s albums.

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Her album with The Thing is brilliant

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her whole career resurgence since then has been really great. But yeah that album with The Thing is special. Tried to make everyone listen to it when I was a student, to little success. Also agree that Raw Like Sushi is amazing. If you want more weird jazzy Neneh there’s also her skronky old punk band Rip Rig + Panic

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Ha I know them from the young ones

Had no idea it was Neneh

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Does Sue Tompkins count

Amazing album. Saw them play Village Underground on that tour and, unsurprisingly, they blew the roof off the place.

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