#14

You’re in MCR, right? These people are great http://dscolourlabs.co.uk I’ve used them for prints for years.

#15

stopped bothering with film/sold up about five years ago, but in the last 18 months or so have slowly got back into 35mm stuff - i have an om-10. also have an olympus trip 35 that i shove in my bag on days out. medium format is too expensive, although technically i could probably borrow a camera but can only afford asda 35mm processing, lol.

misc camera things:
• i’ve got some expired fujifilm superia 400 from 2001 that i need to use/get developed. give me a shout if anyone wants some and i can send you a roll, cause i don’t really have the camera for it <3
• i need to know more people because i have a studio but never really done studio portrait stuff (no models). would like to.
• inherited a couple of unused cameras that i need to pass on to someone who will use them (a box brownie and an is-1000, or something).
• have been going on about how much i want an x-pro1 for years on here ;________;

#16

I’ve summoned here but in all honesty I don’t know anything. I just take pictures with old SLRs and develop the film in a little tank.

The film I use is normally expired, but it’s been stored sensibly so won’t turn in to anything crazy. I tried cross-processing once (slide film in c-41) and everything just turned out orange so I won’t bother with that again. I made my own redscale film a few years ago and that turned out really well though.

#17

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Recently got given my grandad’s old Olympus trip. The light cell still works fine, which was surprising. It also still has the original instructions inside the case. I asked my mum if he never used it, and it just lived in a cupboard, but apparently he used it all the time.

#18

yeah ive used them a few times, insanely cheap for prints but i dunno, i think she had some problems with them once and it put her off

#19

Yeah xpro is really hit and miss, you can either get amazing colours or a sludgy mess. The slide films I’ve had best luck with are Fuji Astia (that no-where seems to sell- it’s supposed to be a subtle, neutral, tasteful portrait film in E6 but goes an amazing green in C41) and Kodak Ektachrome which goes bright blue and yellow. I’ve seen people getting great results with Fuji Velvia on the internet, but mine have never come out good with that film, like the whole picture is one big green or orange mess.

#20

I can’t remember exactly what film I used but I wouldn’t describe it as either ‘amazing colours’ or a ‘sludgy mess’, it was somewhere in the middle.

Here’s a couple of them:

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#21

Is that in Berlin?

Yeah sometimes stuff just comes out really red/orange and grainy, and there’s not a lot you can do. Just luck of the draw/lucking into the right combo of film and lighting conditions.

#22

Here’s one I took on Brighton Pier over a decade ago with a Box Brownie.

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#23

I use an old olympus compact camera sometimes. it seems fine, dunno what else to tell you

#24

Got a NIkon FE2 which is my fav.
mainly just muck around with double exposures. started doing the old develop in a bag trick and scanning (my mate has a pretty decent nikon film scanner - think they go for quite a fair bit) which I find quite fun. I’ve only used HP5 and Acros 100 so far.

Also recently got an Olympus Pen F which is great for just shoving in a bag - because of the half frames I find I fret less about if a picture is ‘worth taking’.

#25

good camera :heart_eyes:

have a million rolls of 120mm that I need to develop but never get around to it.

I carry a contax t2 around with me for that sort of everyday stuff

http://67.media.tumblr.com/e3035432fc73d20e6608feac86d949bf/tumblr_oce2aiCDmP1rrf0gwo1_1280.jpg

Because of my backlog I’ve pretty much stopped using my mamiya rb67 so the last time i used it and got anything developed is about a year ago and I’ve not got any pictures of anything interesting bleh.

http://66.media.tumblr.com/af5e995e5357c6829613492bfbc9e516/tumblr_nn9mpscjf21rrf0gwo1_r1_1280.jpg

I just use digital cameras now mainly

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#26

finally we get to see what gb looks like!

#27

HP5 is my go to. I always push it one stop in processing too to get slightly higher contrast. I’m not such a fan of FP4. When I see other people’s work with it, it’s this lovely smooth effect, but I’ve only ever got dingy results with it. Maybe because I’m used to exposing for HP5.

I got some of that Fomapan stuff really cheap, but I was disappointed with it. When I loaded it onto the developing reel in the dark bag, the emulsion was all sticky and literally came off all over my hands and I never got to develop it.

#28

The M645 is bad enough for lugging around. I couldn’t face taking an RB67 about. I’d feel like one of those victorian photographers with a hood and pan full of flash powder.

While sorting through loads of crap that was stored in my grandparent’s garage I finally found a folder full of loads of negatives from like 2003-2009, which I want to scan, but know will take me forever.

#29

For reference.

I have the smaller camera on the right, and it’s a beast that weighs nearly 2kg.

#30

Massively into it I use a Nikon F2. A great camera its pretty heavy but way more practical then the one in the op (which is a beaut by the way)

#31

Very similar era to my Pentax. Best viewfinder ever, and satisfying clunk noise when you advance the film.

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#32

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#33

Double exposure or glass reflection?