#4
  • frightened is probably something in Under the Shadow tbh, that proper scared me
  • happy, idk I think the most joyous thing that comes to mind is the bit in Mommy where the kid opens the screen
    -tense, the tunnel scene in Kill List or the ending of Borderlands
#5

No problem; please feel free to share. We are a broad church here

1 Like
#6

Kill List is a good shout

#7

Great thread!

  • frightened - the bit in the Orphanage, where she starts playing that “creeping Indians” style game with the ghost children
  • happy - Frank Cross’s monologue at the end of Scrooged (“I get it now!”)
  • tense - the bit in This Is England where they’re sat up listening to soul music and Combo reveals his true colours.
#8

frightened: most of jacob’s ladder. namely the shaky head people and the scene in the bath
happy: proper bawl my eyes out when jeffery and sandy kiss at the party in blue velvet
tense: the last 20 minutes of audition

#9

like this

1 Like
#10

Tense - No Country for Old Men

Pretty much the whole thing, but the scene in the hotel probably the most

#11

ignore this

1 Like
#13

what is it with me and film names today?

Rust and Bone is the film that destroyed me most emotionally - the whole bit with the kid under the ice and the hospital scene afterwards

#14

Thanks :blush:

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#15

FEAR: The film that scared me the most I haven’t ever tracked down so I’ll say that probably it was Event Horizon. Seeing that on my own in a fairly empty cinema it really worked. No idea why.

HAPPY: The final sequence of Indiana Jones and the Last Crusade probably? It’s a big old happy moment, innit?

TENSE: Someone reminded me of how motherfucking tense the Bruce Willis section of Pulp Fiction was the first time. The clever out of order thing means the whole time you’re expecting Sam Jackson to rock up and blow him away and end their happiness, I mean on top of all the other stress points in that particular tale.

#16

Good shout. Super-tense when Butch is sneaking back to his apartment to get his watch

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#17

Yeah but everything after that for me too. Because he kills Vincent and you’re wondering where Sam Jackson is because he should be there to kill him. Even when they’re riding off on the motorcycle I expected the shots to ring out.

#18

I’ve watched Pulp Fiction countless times and it honestly never occurred to me to wonder where Sam is at that point. Curious!

He saves Sam’s boss from a buggerin’ and a murderin’. Did that not make you think that he might be OK?

#19

to be fair he was a bit late saving him from the 1st one

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#20

Not necessarily. He’s killed his best friend. This is personal but also, it’s not like Wallace has had TIME to warn Jules of this change of circumstances. I mean this is literally (in my view) the point of us not finding out until the end of the film that Jules has given up the job.

#21

Very interesting. I honestly believe that Pulp Fiction is the only Tarantino film that hasn’t aged horribly, or that doesn’t descend into self parody. That’s to say that it’s the only one that justifies the hype.

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#22

think the 1st 3 are all still completely solid - if very much “films of the 90s”

#23

Tense: I remember being on the edge of my seat watching Se7en; the bit where Pitt and Freeman are taking Spacey to the rendezvous in the police car
Happy: Either

  • The end of Up when Kevin gets his badge; or
  • ‘Smile you son-of-a-’ in Jaws
    Frightened: Threads…
#24

Frightened: The start of the John Carpenter directed classic ‘The Thing’.

Happy: The start of the John Carpenter directed classic ‘The Thing’.

Tense: The end of the John Carpenter directed classic ‘The Thing’.