good guitar, is it a jag-master?

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The writing style is obviously pretty different, but I just read The Nix by Nathan Hill and it strongly put me in mind of Oscar Wao. Interweaving stories and timelines, family history, multiple POVs, a magical curse, similar protagonists, similar geek culture focus, touches on lots of political upheaval … I wasn’t sold to start with but once I realised the comparison I enjoyed it a lot. It’s less unique (due to being much more “American”) but still very effective and touching.

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Rushdie probs. Also like Zadie Smith and yer man Murakami.

Yep. Had it for about 15 years.

Of course there’s always people ready to look down on any guitar that doesn’t cost £600+ but it really is a nice guitar.

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That’s so generous man, might take you up on that. I’m sure I read about some sort of DiS book exchange on here recently …

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Also has anyone read Bonfire of the Vanities before? I’ve got a copy but I struggled with the writing style and not sure if I should push past that …

if it is the squier vista version I have the musicmaster bass and musicmaster guitar in the same range, both great

It really annoyed me too. I read it while I was researching my dissertation on Bret Easton Ellis and I couldn’t get away from the idea that Patrick Bateman would have dealt with his awkward situation much more efficiently.

Definitely continue. It’s thrilling and funny and prescient and very very good

Mines the model after that. Mine is made in China but they used fancy bits- the neck etc is way nicer than usual for that price point. I think they made a mistake with the pricing, selling it too cheap basically because they only did that model for a short period of time before relaunching it with way cheaper parts a few years later.

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I read that recently as well, enjoyed it, but it wouldn’t have occurred to me to link it to Oscar Wao. I can see what you mean though.

Not a problem! I should be done in two weeks so ill.message you for your address and post it :slight_smile:

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I just remember when I got it as a gift when I was 17 being thrilled and then some local music bro deflating me and trying to make me feel embarrassed that I hadn’t got some £1000 vintage 60s jaguar or something.

People are awful.

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Yeah I know the writing style is pretty far apart (with Diaz’s being much more to my taste) but it helped me to appreciate The Nix a lot more. Before that was struggling with how mean the mother seemed and how pathetic Samuel was (exactly how I felt at parts in Oscar Wao) but after that I could see them more clearly as just products of circumstance - when you know the history, it’s easier to sympathise with who they turned out to be.

A vintage Jag for just £1000 though, ahh if only …

This was like in 2002 mind.

ooh, I always like a bookshelf photo. If there’s an interview in a magazine and the subject is photographed in front of a bookshelf I’ll spend the next five minute squinting at the spines to see if I’ve read any of them. (observations on yours - you really should read The Owl Service soon as it’s brilliant (disclaimer: I last read it in the previous century). I also very vaguely know the bloke who republished Krabat (most pathetic DiS namedrop ever?).

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Damn, why didn’t my 11 year old self get involved while the action was good. More like £2500 now :’(

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Oh yeah I love the Owl Service. I bought a new copy because I’m planning to do some illustration based on it- in the style of plates.

I read it as a kid and had the strong feeling “I am not old enough for this” and then re-read a few years later.

Same as Fire&Hemlock. Which I should do my annual Halloween re-read of.

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I felt like Krabat was following me around for a while earlier this year

I went to the Studii Ghibli museum in March. They have a bookshop there stocked with Miyazaki’s favourite books, and there was loads of Ottfried Preussler, and the film they were showing in the cinema was inspired by Krabatt. I would have loved to buy loads of books there, but I was broke and they were all in Japanese. I wrote down this list however:

Then I was doing workshops in a school in Austria where my class were studying Krabat in German class. I really liked the woodcut illustrations, and realised it was the same story I’d seen in the Ghibli film/shop, so picked up my own copy in a local bookshop.