It was around the Collapse era that Bob really started cranking out the records.
In the time either side of Collapse coming out, we had:
Waved Out (Jun 1998 - solo album)
Kid Marine (Feb 1999 - solo album)
Ask Them (May 1999 - Lexo & The Leapers EP)
In Shop We Build Electric Chairs (May 1999 - Nightwalker album)
Do The Collapse (Aug 1999 - GBV album)
Speak Kindly of Your Volunteer Fire Department (Nov 1999 - Doug collab album)
Plugs for the Program (Dec 1999 - GBV EP)
Hold On Hope (Mar 2000 - GBV EP)
Dayton, Ohio-19 Something and 5 (Apr 2000 - GBV EP)
Suitcase #1: Failed Experiments and Trashed Aircraft (Oct 2000 - GBV outtakes)
Well, I thoroughly enjoyed being reacquainted with Do The Collapse this week, an album absolutely overflowing with sugary power-pop goodness. Easy to understand why it wrongfooted a lot of GBV fans when it came out, however.
Updated personal leaderboard. I’m a fan of Bob’s poppy earworm stuff ahead of anything else, therefore Collapse narrowly squeezes in ahead of Vampire and Earwhig.
A decent album, some good tunes, could have made it big and it’s a shame it didn’t. But missing some of the charm of the last few albums so it’s a step down from Mag Earwhig for me.
Ah I was just gonna say this one feels like them finally nailing the hifi sound! No weird vocal filters detracting from great singing like on DTC, no overly stark acoustic interludes like Mag, just a nice shiny punchy rock album where everything fits well together
I prefer the lo/midfi stuff for sure, but this one at least feels like them fully achieving what they were aiming for
Aside from the Breakfast, Devil, Sandbox run, Isolation Drills is the GBV studio album I probably know least well. For ages, I just thought I didn’t like it. But I did give it a spin relatively recently and remember thinking it had grown a bit in my estimation. Looking forward to giving it another go.
FYI plan is to make this the last full week until next year (probs Jan 8 week) due to Christmas ofc
will put up some extra listening in those middle weeks for the hardcore, or it’s time for people to catch up if they’ve been overwhelmed by the number of albums so far