also this is now the official listening club CHRISTMAS BREAK. Donāt think people have much brain power for organised music fun over the next few weeks (and a bunch of us are in ML still anyway)
so weāll be back officially with UNIVERSAL TRUTHS AND CYCLES on January 8
in the meantime though, Iāll be chucking up a few supplementary listens for the obsessives, outside of the core studio albums. And anyone else whoās fallen behind feel free to catch up in a chill fashion! Iām really liking seeing the round up posts even if its for albums from a few weeks back now
I canāt remember where I first read it, but I love the story about how somebody was initially reluctant to check out GBV because they didnāt like how the band looked on the cover of this EP
Man, Sunfish Holy Breakfast was waaaay patchier than I remembered it
Itās already been mentioned that many of the 90s era GBV EPās tended to be home to a solitary stone cold classic surrounded by lots of so-so material, and this EP very much continues that trend. In this instance āIf We Waitā is that standout track, another irresistible long-lost Beatles demo with Bob yet again doing his Lennon thing.
Not much else really stood out for me tbh. āStabbing a Starā is a fun song which, even by 90s GBV standards, is unfortunately drowned under excessive amounts of lo-fi fuzz. āA Contest feat. Human Beingsā is a decent one-minute-&-done pop nugget, whilst the Jim Greer number (āTrendspotter Acrobatā) is an interesting curio I suppose.
I will try and get to Tonics & Twisted Chasers over the next few days.
Catching up as much as I can this week. Have given up on Mag Earwhig for the time being as Iām not too keen on the production style and I could lose the next month to trying to crack it.
Do The Collapse is ace though. I donāt know if this marks me out as a crap GBV fan, but I love hearing them with the big sharp production, especially when the album has the songs to back it up. Tbh, I always love it when idiosyncratic artists have a āpopā period because itās still pop filtered through their lens and I find it fascinating how they take things to a more accessible or melodic, but still interesting place. I think the same for the likes of Butthole Surfers, The Fall, Sonic Youth, Captain Beefheart etc.
Will be giving DtC another spin before moving on, but I think Iāve only got Isolation Drills to go now and Iām up to date (on the main LPs that is)?