Happy to give it another chance ⊠Maybe a dubious position to take, but itâs more what it stands for that Iâm against! I do admit there are some good songs on it (other than hold on hope)
Hah no worries I think when a band has a catalogue this large itâs very interesting to see what people like / dislike. Plus Iâd probably only put it in my top 20 GBV albums anyway
Yeah, bunging that below Forever Since Breakfast is a scorching take. Unsure some of us in the thread will ever get over it tbf.
They played Littlest League Possible at that big 100 songs show they did for NYE a couple of years ago (2019 maybe?) but only that one time
Pretty sure when they were touring Please Be Honest in 2016 they were playing Keep it in Motion and Authoritian Zoo as well as Planet Score but yeah the first two have been dropped since then.
Good to see Planet Score has made it back into their sets recently though
So, I found Cool Planet to be messy, frustrating, half-arsed, but also often a lot of fun. So itâs only fitting it ends up sitting within the run of similarly patchy-but-kinda-cool pre-Propeller releases on my leaderboard:
- Bee Thousand
- Under The Bushes Under The Stars
- Propeller
- Alien Lanes
- Isolation Drills
- The Bears for Lunch
- Class Clown Spots a UFO
- Universal Truths & Cycles
- Do The Collapse
- Vampire on Titus
- Mag Earwhig!
- Motivational Jumpsuit
- Half Smiles of the Decomposed
- Earthquake Glue
- Self Inflicted Aerial Nostalgia
- Cool Planet
- Same Place the Fly Got Smashed
- Devil Between My Toes
- English Little League
- Letâs Go Eat The Factory
- Forever Since Breakfast
- Sandbox
Definitely seem to be higher on this than most of you, I was expecting some trash from the reputation but feels pretty fun and like it caught the last bits of the OG energy and weirdness.
Gonna be down the list just by default but could see myself coming back to it - though hmm itâs clearly lesser than Motivation Jumpsuit, and since thatâs still pretty new to me Iâm likely to always reach for it first while Iâm still discovering it. Anyway, not bad!
Letâs see just how cool this planet is!
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- Authoritarian Zoo
- Fast Crawl
- Psychotic Crush
- Costume Makes The Man
- Hat Of Flames
- These Dooms
- Table At Foolâs Tooth
- All American Boy
- You Get Every Game
- Pan Swimmer
- The Bone Church
- Bad Love Is Easy To Do
- The No Doubters
- Narrated By Paul
- Cream Of Lung
- Males Of Wormwood Mars
- Ticket To Hide
- Cool Planet
Once some votes come in on this, would be cool to see how the reunion records rank with the original run
Itâs been cool to see that folks itt have been pretty into them I reckon!
New reunion specific table or mixed in with all the rest to get one official mega table?
donât mind!
Interesting to look at the Pitchfork blurbs on the reunion albums:
Letâs Go Eat the Factory: âThe reformed âclassic-eraâ GBV have produced an album with the collagist careen of Bee Thousand and Propeller and but it ultimately comes up short in the songs department. The best moments come courtesy of Tobin Sprout.â - 6.9
Class Clown Spots a UFO: âFollowing Januaryâs Letâs Go Eat the Factory, GBVâs second reunion LP is shorter, punchier, and livelier than its predecessor. Last time, Tobin Sproutâs input felt especially triumphant. Here, itâs Robert Pollardâs show.â - 7.0
The Bears For Lunch: âThe reunited Guided by Voicesâ third 2012 release is the most consistent of the lot, faithfully approximating the tumbling, track-to-track momentum of the bandâs mid-90s masterworks, proving that Pollard and co are determined to make the most of this second wind.â - 7.3
English Little League: âEnglish Little League is Guided by Voicesâ fourth LP since their comeback, meaning theyâve now made as many post-hiatus LPs as they managed during their âclassic era.â Amidst the booming arena-rockers, swift power-pop, proggy bluster, and wads of bubblegum, it marks the first appearance of recordings from Bob Pollardâs new home-studio.â - 6.8
Motivational Jumpsuit: âWhile indie rock icons Guided by Voicesâ recent albumsâfive in two yearsâhave by no means tarnished their legacy, they havenât exactly expanded upon it either. So it goes with Motivational Jumpsuit, though itâs the shortest and strongest of the recent batch.â - 7.3
Cool Planet: âA workmanlike qualityâboth charismatic and chillingâhas grown since Guided by Voices reformed for their lackluster 2012 album Letâs Go Eat the Factory , and itâs carried over into their sixth comeback full-length, Cool Planet. The line between exhilarating and exasperating is still being straddled to the point where itâs starting to chafe.â - 6.2
Scores donât line up with my thinking but those are pretty spot on tbh
Apart from way overly generous to ELL
Think Tobin has two lovely and quite diff entires here with Narrated By Paul (gorgeous!) and Ticket to Hide, though the rest arenât up to his usual standards. All American Boy ends so well but the opening just sounds so messy that I canât quite get my ears to tune into it
Males of Wormwood Mars (killer drums), Cool Planet (more killer drums), Pan Swimmer and Table at Foolâs Teeth are all good fun rockers that donât outstay their welcome. Thatâs a pretty strong top end of the album, maybe adding in Costume Makes the Man too for one of those slightly unsettling melancholy numbers Bob does perfectly
The rest blends together a bit but without many real clunkers imho, and enough changes of style to keep catching your ear. You Get Every Game is another fun entry into the list of half shit/half lovely tracks that they seem to cultivate, and The No Doubters trudges along but in a way that feels deliberate and effective, not just the default that they settle into later
Itâs hovering around a 5 or 6, but probably just above the âwonât listen to againâ line that ELL and Sandbox are sliding under
Powering into the next phase of the reunion with the solo-Bob-as-GBV hits of PLEASE BE HONEST
So this is the one where Bob plays every single instrument, isnât it?
In fairness to Bob, I remember his bass-playing on here is actually pretty decent for the most part. But those drums,
Yeah say what you will about Tobinâs solo produced stuff but this is another level
Iâm always a bit surprised when this album fares badly on GBV album ranking lists, for me it has quite a lot in common with the likes of Propeller and Vampire On Titus. As the Earful guy mentioned, this is definitely an instance of an album requiring multiple listens for its charms to reveal themselves IMO.
So, this is almost certainly the GBV album Iâve most changed my mind about since I first heard it, back during the lockdown era in 2020. Back then, I remember finding Please Be Honest lacking in tunes and offputtingly throwaway. And yet now, just four years laterâŠâŠI think I kinda love it??!
I think your initial assessment was correct!