Kind of a frustrating year for me so far. Too many albums that feel like “I guess we’ll make an album because we’re a band, and it sounds like this because we’re this type of band.” But there’s still some good stuff.
Going to link the default bandcamp pages for easy listening and scrolling (and so I don’t have to pick my favorites)
Obvious AOTY Contenders
Pretty Baby - Layaway Plot
An unpredictable and explosive post-hardcore journey. Feels like a band making a statement while getting something out of them that they felt compelled to get out. FFO: At the Drive-In, City of Caterpillar, Protomartyr
SLIFT - Fantasia
I love it when bands build a world and take you on a journey by stacking riffs and exploding at all of the right times. Their last album felt like an out of control roller coaster, this one’s more of a steady tsunami. Great stuff.
Gems
XCOMM - Time to Burn
Raging, dynamic punk from a bunch of teenagers. Unlike a lot of punk albums where it’s like “ok, it’s just more of the same” after awhile, this has the songs and stays exciting to the end.
Death Lens - What’s Left Now
Catchy pop-punk-influenced post-hardcore with massive hooks. For fans of bands like Militarie Gun and people who always feel kind of let down by bands like Militarie Gun.
Nothing - A Short History of Decay
Melancholic shoegaze / alt-rock. It feels a bit more casual than their prior ones, which is probably why it’s getting overlooked. Great melodies.
Twisted Teens - blame the clown
Lo-fi rock in the style of Parquet Courts, but there’s a desperation and knack for melodic twists in this that really elevate it over similar bands.
SUPERCOLLIDER - S/T
Maybe the best way to put it is “what if King of the Beach era Wavves had made a surreal, fuzzed out, sprawling bedroom indie album instead.”
Weird Nightmare - Hoopla
2nd album of catchy, punchy, melodic rock from the frontman of METZ. Huge hooks on this.
Blackwater Holylight - Not Here Not Gone
Pretty, gloomy rock that crosses into shoegaze territory through the sheer heaviness of the riffs. This sort of thing typically washes over me, but there’s a focus on melody and riffs here that makes it stand out. They’ve got songs, not just atmosphere.
Twilight Sad - IT’S THE LONG GOODBYE
It took awhile to click, and while the middle of the album is still kind of a dirge, it’s all worth it for that four song ending sequence.
Hammok - When Does This Place Become Our Scene
Unpredictable post-hardcore. One of those albums that really rewards multiple listens since it’s so noisy and constantly jumping around. It took more effort than I thought it would but I’m glad I stuck with it.