Still bitter about Oasis? Yes I am.

Not keen on Blur? No I’m not. Quite like the ants in the carpet one but beyond thatā€¦šŸ¤·

Add them together and here we are.

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Aside from the fact that I do love them, I fully agree with everything you’ve said here!

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…and made it the focus of their official merchandise for ages to make money off it and encourage their fans to pile on too…and tried to get it all going again a decade later when there was never really a basis for it in the first place.

Anyway, I suspect we’re both being drawn into more entrenched positions here than either of us really care about & I cant imagine Blur were ever really that fussed, so I’m not going to get upset on their behalf.

one of my favourite bands ever, first album I ever got that wasn’t just a Now type compilation was The Great Escape and rinsed it relentlessly, reminds me souch of being on holiday in Gran Canaria. some songs on it are a bit naff but still like it.

then I went backwards and got all the other albums (definitely didn’t borrow them from the library and copy them onto tape), loved Modern Life is Rubbish and Parklife, never been super sold on Leisure though. For Tomorrow was, and is, ace. got Blur a while after it came out and loved that, still reckon it’s my favourite album of theirs. listened to all of these a couple of weeks ago and they’re still ace.

then I kind of bounced off 13, liked the singles but I think I heard the album being played back on the radio or something like that and the non-singles didn’t do anything for me, too long and not really interesting - I would have been 14 at the time though, didn’t instantly ā€œget itā€ so cba trying. actually bought it a few years later when I was at uni and enjoyed it, still not my favourite.

Think Tank came out when I was at uni and as Graham was my favourite the concept of a Blur album without him was sacrilege (still got the special edition on day one like a mug) and didn’t like it, still don’t. some nice songs, but mostly shite.

the rest is alright, I like the Magic Whip overall but have no desire to actually listen to it. got the Blur 21 boxset with all the b-sides and rarities and stuff but don’t recall much of note.

the one thing I do think is a bit of a shame is that I’ve only ever seen them live once, at Hyde Park in 2008 - by the time I was old enough to actually go to gigs on my own they were in the Think Tank era and I wasn’t going to see them on that tour. have seen Graham live loads though.

1,000,000 / 5

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Hahahaha forgot how much I like Tracy Jacks, it’s put a big stupid smile on my face :smiley:

This thread has also made me remember that my cringiest Britpop moment was facilitated by me buying Leisure from the Oxfam shop in Winchester on my way home from holiday :see_no_evil:

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*Patent Twat

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Omg I missed this :smiley: incredible!!

Blur are a perfectly servicable, adequate, unexciting band. Most of their songs have never grabbed me the way it feels like they should have. I was very into Parklife at the time but looking back it was all a bit cringe, wasn’t it? A bunch of private-uni kids in lad cosplay. Not even Damon Albarn’s best band. 3/5

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No real opinion. When they first came out I wasn’t interested because they didn’t have proper guitars or proper haircuts like Ride.

Saw them on the Rollercoaster tour and the film they had of someone doing a shit backwards was far more memorable than any of the songs.

Still confused about how they got drawn against Oasis in the Britpop wars but.

2/5 because i mostly just find them boring and annoying rather than actually bad and I quite liked Tender.

Judging Blur for Country House is a bit like judging R.E.M. for Shiny Happy People

(I actually quite like both songs)

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I just think it’s fine, negative responses to music are valid as positive ones, newer bands will always react against what they perceive as bad with the status quo, that irreverence can be productive. sure it spoke to many of us out there that thought blur were shite. It was relatively lighthearted compared to kozelek’s bullying campaign. Ultimately blur had the last laugh as mogwai failed to deliver on their early promise and stagnated

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General thoughts:

I really enjoy the deep deep cuts where they’re just dicking about (Ludwig, Dizzy)
Theme For An Imaginary Film is hilarious
Fucking Popscene, absolute belter
Thought Essex Dogs was the most profound thing ever when I was 19
Ambulance :heart_eyes:
Battery In Your Leg :sob:
I love the whole second half of Blur but the deep cuts on the first half of the album are a bit shit
I’ve always wanted the Penguin books t-shirt that Damon has in the She’s So High vid

Remember when Fool’s Day came out and was so excited by it, love that guitar climax

don’t tell anyone but I quite enjoy Crazy Beat unironically

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They’re a 4 from me. All of their albums have at least one or two songs I want to skip, but the good bits are tremendous. Some excellent album closers too: This Is A Low, Essex Dogs and No Distance… in particular

There’s some intersting ideas in there musically - the layering of multiple melodies building up, but it’s also overblown bollocks as well - there’s a good tune hidden in the worst excesses a brass band.

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Shiny Happy People absolutely slaps. Can’t wait to defend it in the R.E.M. thread

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He Thought Of Cars is in my top five songs of all time I think

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If there is a stinker of an REM song it’s ā€˜everybody hurts’

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Always hated the line ā€˜take comfort in your friends’ what if I don’t have any, thanks for making me feel worse REM

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Sorry for being so annoying in this thread @anon19035908, when is the Suede thread? That is the other one I will be hyper annoying in

Pleasantly surprised by the comments here so far tbh but I reckon it’ll be a middling 3.

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Suede are definitely going to get pummelled because they are so pretentious and overdramatic but Dog Man Star is excess at its finest and I’m very excited to complain at length about how the alternative tracklisting for it makes a perfect album.

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