None of the often quite monumentally shite takes in these threads prepared for me how bad this take is.

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Did we talk about how Grant has a cidery these days

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These threads are for aggregating the board’s opinions on a given act. There aren’t right or wrong ā€˜takes’, everyone’s entitled to give their opinion on the music, even the most popular or acclaimed acts are going to have a spectrum of opinions across a large group.

It never sits well with me when someone aggressively dismisses other people’s opinions about how much they enjoy something. If you like the band, you could contribute something to that effect, as many people already have in what is generally a very positive thread, rather than going in hard on people who expressed an opinion you don’t share.

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Oh wow, I had no idea about this

I fancied Shell rotten

I listened to PV not long after it came out and it didn’t really grab me (neither did We Were Promised Jetpacks) and I kinda lumped them into that ā€˜earnest Scottish indie that doesn’t do anything for me’ pigeonhole. But despite not actually listening to them, Scott’s death was a harrowing thing to read about and I listened to TMOF soon after. It’s a very raw listen, particularly so given everything that happened, but utterly magnificent. Can’t say I’ve got to grips with their other material yet, but they deserve a 4 on the strength of that album alone.

Oh yes, I’ve seen The Twilight Sad pay tribute to Scott and play ā€œKeep Yourself Warmā€ twice now, and they remain some of the most affecting, heart-warming live moments I’ve ever experienced.

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I’ve listened to about 5-7 tracks of theirs over the years. Nothing has really pulled me to want to listen more. Reading up a bit and seeing parts of Midnight Organ Fight was recorded at Tarquin Studios in Connecticut, so might give that a whirl.

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It took me forever to find this, but here’s a picture of me at a party in 2008 wearing a home made Frightened Rabbit t shirt. Nobody at the party knew it was a Frightened Rabbit reference and thought it was just general advice

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I still think ā€˜Be Less Rude’ is one of their best songs.

edit: just changed my vote from 4 to a 5. Why would you make a home made t shirt for a band you didn’t truly love?

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To be honest I think I can understand where people might be coming from when they write off the band on the basis of seeing them as another folk indie band. I can’t think of many bands of a similar style that I would choose to listen to often. And I think I even started to doubt myself about the band a little when Pedestrian Verse and Painting of… initially came out.

Perhaps if I’d heard those albums first then I might have dismissed them myself without investigating properly. There’s definitely a sheenier production to those which hides the band’s admittedly subtle edgier undercurrents. But then you hear songs like this and remember that genres don’t really matter much if the songs are good enough.

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Just listened to Good Arms vs Bad Arms again. That last line ā€œI’m still in love with you can’t admit it yetā€ still gets me every time.

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Nitrous Gas was the one that sent me over the edge at the time. I had spent the whole day in a state of disarray because it was between the disappearance and the discovery, being driven around to various schools to give presentations and I just wasn’t up to it.

Although on one level, it’s odd for me to compare Mumford and Sons and Noah and the Whale as some people have in this thread. But I kind of get it? But there is something raw and honest in Frightened Rabbit’s lyrics which got to me, which elevates them above the basic indie-folk comparisons.

Don’t intend to derail this thread this way, but in my opinion both Noah and the Whale and Mumford and Sons have one good song each. I like both, but neither can hold a torch to anything on The Midnight Organ Fight.

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Yeah I can almost understand the comparison on a surface level but obviously there’s much more going on with FR. I do feel like if I came to them by their later material rather than their very earliest I might not have been fussed at all

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I mean this definitely isn’t Mumford and Sons though

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Friends caught them on the Midnight Organ Fight tour and for some reason I didn’t go, consequently they became massive fans but I’ve never felt that strong a bond with Frightened Rabbit. I’ve listened to most of their albums, I understand why people cling to these songs, how they can mean so much, but for the most part that’s not me. A few do though, I love the defiance of Heads Roll Off and Swim, two incredible, moving songs. My other favourite is the closer of Pedestrian Verse

There is light but there’s a tunnel to crawl through
There is love but it’s misery loves you
There’s still hope so I think we’ll be fine
In these disastrous times, disastrous times

I’ve got one of the second run of the Bands FC enamel crest badges but it’s just sitting in my drawer, if there’s any Dissers reading this who’d want it to wear with pride let me know and I’ll gladly post it out.

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Listened to Midnight Organ Fight, it wasn’t bad but didn’t overly move me to want to listen to more. Some have mentioned the Mumford and Sons comparison, kind of get that. But lyrically they are leagues ahead imo. Not overly for me but glad they bring joy to a lot of people in this thread.

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It’s funny how such depressing music can bring such joy isn’t it, that was kind of their thing really

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really wanted to like the covers album, i was excited about the concept, but unfortunately it’s just largely full of artists i’m entirely indifferent to and i mostly didn’t get anything out of their versions at all. i don’t get much from those earnest American singer songwriter types but understandable they were on there as they probably all toured together and stuff.

the only cover i really liked was The Twilight Sad one obviously, would personally have liked more slightly leftfield covers in that vein (funnily enough there are loads of youtube comments of people saying this is the only cover on there they don’t like)

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did anyone listen to the Fruit Tree Foundation album from about 10 years ago? seems a bit forgotten about now, various Scottish musicians collaborating for a mental health charity, Scott’s on a few tracks.

this is him with Rod from Idlewild (who put the album together)

these are on there too

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Continuing with the derailing, Mumford and Sons are dreadful but as someone who was 16 at the time, Noah and the Whale’s second album (the breakup one) is low key really good and the two Tom Petty rip off records they made after are a hell of a lot of fun.

Not in the same league as Frightened Rabbit mind…

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i remember feeling a little weird about this after he died actually. while he was still alive i often saw people describe them as a band that had saved their life and stuff which was really nice, but the huge outpouring of that after Scott’s death was beautiful, but i remember feeling a bit like ā€œwow, i’ve been listening to them for a decade, i’ve seen them live 4 times, i regard myself as a fan, but i’ve never had that emotional connection all these people have - they mainly just remind me of being a studentā€. i remember a weird thing of almost feeling like a fraud of some sort.

as mentioned i got into them as a fairly trouble-free student but even in less happy times years later they were never a band it really occurred to me to turn to for that sort of thing, as they were just those nice lads i would go and see in my uni days - instead i would listen to I See A Darkness and stuff like that, people who seemed a little more mysterious (although the simplicity of The Greys would stand out as being quite relatable at appropriate times)

i’ve definitely felt the lyrics hit home a lot more since his death though. the pain of them is obviously much more pronounced when you know where it all ends. still feels like a shock though when you see that warm, funny personality in interviews and stuff.

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Needless pendantry, but dont you have to make cider for it to be a cidery?