I do kinda get that, they have a very singular sound, all.i will say though is on Dose Your Dreams they finally manage to get away from the classic FU sound

2 Likes

Easy 5 here - one of the only bands to consistently balance ambition with great songwriting consistently over a long period.

I mean they just released a 4 track double album and it’s not even on the list. Actually on that note the zodiac series might be the best thing they’ve done.

1 Like

Love this one with Jennifer Castle and J Mascis too

2 Likes

Also wild that Jen from Sauna Youth was on the most recent album

And they did a compilation album with a load of female UK/EU punks for international women’s Day

Fucked Up are comfortably one of the best bands of the 21st century. What other band has a back catalogue that deep yet is still producing A-grade material? What band marries that with an absolutely life changing live show, an experience you’ll never forgot? (The answer is Deerhunter but that’s for another day.)

I’ve a lot of memories tied up with this band, mostly through one friend. He got me into them a year after Hidden World was released, when Fucked Up were still going by their pseudonyms and still felt very mysterious to two teenagers from rural Ireland. From the instant Pink Eyes’ came in on ā€˜Crusades’ I was hooked. This was as loud and fast as a lot of the punk I was listening to but had more scope and ambition beyond that.

I still refer back to Hidden World to this day. That run of ā€˜Crusades’ into ā€˜David Comes To Life’ into ā€˜Invisible Leader’ is such a rush and after that the album barely lets up. Chemistry Of Common Life came out a few months later and I was hooked for life. The title track is unstoppable, the capstone to an almost perfect album.

It was around this time that we got our hands on the compilations Epics In Minutes and Couple Tracks and heard ā€˜No Pasaran’, ā€˜Police’, ā€˜Generation’ and all the other ragers we’d missed out on while living in small town Ireland. Barely a bad track on either album and it added fuel to the fire of our love for the band.

ā€˜Year Of The Ox’ came out that year and we were obsessed beyond measure. It’s still one of my favourite things they’ve ever done. I used to get really bad anxiety working a shit bar job for four years while trying to keep myself going during college and often I’d come home and put it on the turntable and scream along for ten or so minutes until I couldn’t breathe or see. This live version absolutely GOES too.

April 16th 2011 is a date that lives in my memory. Record Store Day 2011 was when the Triskel reopened in Cork and our favourite record shop moved in there. My pal and I queued up to buy the David’s Town compilation and then ran to my cousin’s house to drink cans and yell at each other. This was the teaser album to what has become one of my top twenty albums of all time; David Comes To Life.

This album is perfect. Every track, every crunching guitar, every roar. If I listen to it now I can’t hear it piecemeal, I have to listen to the whole thing. It makes me feel more alive and has dragged me out of a lot of dark places over the years. ā€˜One More Night’ has gotten me through more bad times than I can count. Even without that emotional connection the music just absolutely mashes you flat every time, relentless guitars piled on top of each other with Damien Abrahams shouting in your ear for eighty minutes. It doesn’t get better than this.

And after that, a wobble. Glass Boys was released and my pals and I just couldn’t get a handle on it. Still can’t to this day. If I said I’ve listened to the album ten times I would be lying to you. My LP copy has been played once. I might revisit it after this thread but I couldn’t guarantee it.

By now we were in 2015 and I’d still never seen Fucked Up live. My friend who got me into the band had moved to L.A. and got to see them there, reporting that they were incredible. I went to Primavera Barcelona that year with a little trepidation after not enjoying Glass Boys. I spent the half hour before they came on stage ringing my pal in L.A. and getting steadily more excited about seeing them. I needn’t have worried.


That set was incredible. I spent most of it roaring every word, occasionally into Damien’s face, just exhilarated the whole time. Afterwards I bumped into him and he thanked me for singing along because it was a hot day and he was after a long flight and he needed the help. That made my weekend and when I went to their second set of the weekend in a club on the final night Damien recognised me and jumped down to let me scream my heart out all over again.

That was it for Fucked Up and I for a few years. I was less sad and didn’t need them to drag me out of a hole as often as I did. I lived in a shared house with a shared turntable so didn’t subject my housemates to them. There were rumblings from their camp about Damien being dissatisfied with the band and I genuinely didn’t think they’d make another album.

Thank fuck they proved me wrong with Dose Your Dreams. It’s an album that I’m still digging through, finding more layers as I go. There are some tracks I don’t like (ā€˜Mechanical Bull’ I’m looking at you) but otherwise it’s almost the equal of the David Comes To Life and on a par with their first two. I got to see them live in Ireland around this time too and spent it stage diving and singing with Damien again. I saw them later that year at Primavera and my GF came with me. She said she saw a different side to me that day, lost in abandon, shouting louder than she’d ever heard me.

They’re still putting out incredible music. I might think that three quarters of ā€˜Year Of The Horse’ is just the audiobook of ā€˜The Witcher’ badly set to music but the first twenty minutes of it are the best twenty minutes of music I’ve heard this year. I genuinely teared up when I heard the piano intro for the first time in headphones while making bottles for my daughter. I’ve listened to it nearly every day since, the massive chords crushing me every time.

My pal got on to me a few weeks ago when the vinyl orders came out. I hadn’t heard from him for a few months but he was so excited about the new (and old) records. Fourteen years after we first heard them we’ve both grown up, had kids and gotten on with our adult lives. Our joint love for the band still bonds us together and I thank Fucked Up for keeping us in touch. One of the best bands of the last twenty years uniting us time and time again.

54 Likes

I’m back, in pog* form!

*For one thread only.

5 Likes

That top picture is literally one of the coolest photos I’ve ever seen.

9 Likes

I’m a fan of the other photo with the juxtaposition of one lad having the time of his life and the other lad pulling a ā€œthat’s nice, dearā€ face right next to him

7 Likes

Only summoned you so you could post that pic tbh.

Hope you’re good mo chara, miss you.

7 Likes

Thank you to the photographer who then sold it to Getty Images. Just found this one on another site.

4 Likes

Hahaha! All good boss, will be back on here for the Euros, had to take a time out that’s all.

4 Likes

Trying to find the various photos I have with Damian over the years but at the moment I can only find this one of me looking really pensive and reflective from a very sweaty summers day in London a couple years ago with @Ruffers

I remember crying as Queen of Hearts and/or Other Show at this one though so it could well explain it. Also is that Joe from Idles the background? They were playing that week…

11 Likes

Posts like this are the reason I’ve kept this thing going for nearly 250 threads by the way :heart:

9 Likes

Also this

10 Likes

Good to have you back, even for a short while :slight_smile:

2 Likes

Terribly naughty band name. Bit offended so a 1 I think.

1 Like

I’d discounted them - always assumed they were some sort of gimmick, and didn’t bother listening to anything. Appreciate this thread for actually making me go back and listen!

Lovely to see @Kallgeese again, hope the bubba’s all ok :relaxed:

5 Likes

I also am in a picture from this gig, which they posted on their Instagram feed recently - front and centre facing a different direction from 90% of the crowd, completely missing what’s going on.

Think this was also the gig where I managed to lose a watch down at the front and had to publicly prove it was mine to Damien in front of everyone. Not embarrassing at all…

4 Likes

Big ol’ 5 for me. First heard them when I picked up Chemistry of Common Life on a bit of a whim and was hooked on that first listen to Son the Father. The little flutey intro, the guitar squall, Damien’s scream, the backing vocals, the relentless driving drums… still feels like the archetypal FU track. Went ChemCom as best album, though it really could any of them (apart from Glass Boys).

Love this:

1 Like

What’s your verdict please dingers?

1 Like