I’ve fallen down the rabbit-hole of TH intra-band tensions now after reading that Frantz interview.
Tbf it does seem like Byrne tried to shaft the rest of the band numerous times on songwriting credits.
Funnily enough Weymouth and Frantz went on to do the same thing to Adrian Belew on the Tom Tom Club album.
I’m not a Talking Heads aficionado and I’m not sure if I’ve even heard the last couple of albums in full, but I do think there’s an argument that the more they became ‘David Byrne and the Talking Heads’, the magic was lost - Remain in Light apparently originated in jam sessions with Eno and you can really hear that.