On the other hand, the artwork for The Bends is crap.

In general I would say Radiohead’s album covers range from mediocre to rubbish. I probably like the one for A Moon Shaped Pool more than any other, not that the imagery seems to mean anything, but at least it evokes a kind of atmosphere.

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I agree adverts aren’t as diverse and can definitely create the wrong message, i mean who wants there punk track on the advert for an STD product lol. I find it games like Skyrim when you have an open world, almost any music would work with the scenery, yet your emotional response of the game would differ too, i,e soft music, stroke bunny, thrash metal, kill bunny.

I can’t think of a specific example right now, but the absolute worst video form is “attractive woman in state of turmoil intercut with scenes of the band earnestly playing to the camera.” Doubly horrible if she ends up at their show.

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too much hate for music videos in here, feel like some music videos are more expertly crafted than a lot of cinema and televison these days. here are 5 great recent music vids. for what it’s worth re: the song I think they work best either as kind of separate entities or as extensions of the world the music is set in

Yes I’ve seen that one

Ist so happens that the Bonobo one is one of the few I have seen, and I do remember thinking it was pretty clever. Still not sure what to make of his music though. Some of it sounds pretty nice, some sounds like so much wankery.

This guy apparently took inspiration from Bonobo, amongst others… you can read his somewhat tragic story here.

I thought this video, for one of his songs, was rather evocative, if a little creepy in view of his story.

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This song is beautiful

yeah i don’t have synesthesia but i do heavily associate music with the colours of the album art and unconsciously think of them while listening to the music

also used to feel like albums with predominantly black or dark artwork felt like a tougher, more claustrophobic listen, particularly on headphones, than something with white or brightly coloured artwork. not sure that i feel that element as strongly anymore though

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In the MTV era, in terms of sales - Yes.

Real answer - No.

Music is best listened to in the dark and with no distractions I find

Pretty subjective. Personally I like all their album covers except King of Limbs, in that they all ‘suit’ the music somehow - OK Computer looks bright and modern yet clinical and alienating, Amnesiac looks sad, inebriated and minimalistic, Hail to the Thief looks really doom-laden and devious, as though something nasty is brewing behind those flashy, tabloid-esque textboxes, and In Rainbows looks spacey and radiant, as though the band have gone through a period of reflection and are now looking to the stars for growth and reinvention, a supernova explodes and there’s a sense of energy and rebirth (got a bit carried away typing that).

The King of Limbs sounds like a wintry, icy album to me. Should’ve been a picture of glaciers or snowy mountains or something. I don’t understand what those ghosts are supposed to be all about (or what ‘The King of Limbs’ is supposed to mean for that matter).

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I really like The King of Limbs artwork, though the text/font maybe spoils it slightly. As a painting I love it.

The In Rainbows cover is a bit rubbish really imo, but there’s some nicer art inside the package.

Although yeah the title and artwork for King of Limbs is all very foresty and autumnal (The King of Limbs is the name of an ancient twisted tree in Wiltshire) when I don’t really hear the album that way, aside from Give up the Ghost. Should have used it for a dark sinister folk album instead (which I’d love them to make)

Donwood creates the art as the band are recording though and reacts to the sounds and that was the imagery it conjured up for him, so fair enough

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I think I totally got the wrong grasp of this thread. A record sleeve / artwork / imagery plays a huge part in how you respond / relate to it. Would ‘The White Album’ be so mused over if it had the sleeve to Please Please Me? All sleeves send out a message and appeal generationally also. I guess this is lost now on the main method most use to listen to music (MP3 / streaming) but it cements the need / actualisation for the vinyl renaissance recently as fans of music want something tangible.

I know I seem to mention Steven Wilson a lot, but I follow what he does and says, and he had this to say in an interview, which I find pretty relevant: he cannot understand why some bands he admires, who put out great music - he mentioned Radiohead specifically as an example - do not take the trouble to do album packaging that enhances the product, rather than just slap something together. This is more important now than it ever was. In the 1960s you would have bought the latest album from your favourite pop group, irrespective of what the cover looked like, because buying it was the only way you could have the music on hand to listen to when you wished. In 2018 nearly everything is available on Spotify or some other streaming service, The music is available, that is. Why would someone who does most of their listening on Spotify shell out money for a physical copy, unless it was because they wanted the whole package - cover art, sleeve inserts, lyric sheet etc.?

People like Taylor Swift and Ed Sheeran probably sell most of their music in digital form anyway, and sell enough of it to not care much about physical sales. A band like Radiohead, though, probably misses out on a lot of potential extra revenue from physical sales, because people see the CD cover of the Bends and think “Why bother buying that when I already can access the music on my device?”

The front cover is really dark and spooky. Whenever I listen to King of Limbs I always picture a bright blue morning sky in the cold, in an arctic location. Especially the second half. I don’t associate the album with trees at all. I don’t like the font much either.

I’m going to listen to King of Limbs now. I expect it’s aged like a fine wine.

nope

i do think the dark spookiness and the ghosts fit, just not so much the nature elements to a very deliberately un-organic album. it’s fine though.