Kate for me :heart::heart::heart:

??

As for this film, highly overrated stuff. Felt like the writer was pretty misogynist all things considered too, unless he just liked the idea of a film where you think the main character is a fucking cockend and have to watch him for 90 minutes showing what a total cockend he was. But generally I got the impression the writer though Locke was sympathetic and that this was all about ‘grey areas’ of morality. He wasn’t and it wasn’t: he was a misogynist arsehole, so fuck him.

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tried to reply to your post in the other thread in here

Oh odd, I did think it kept the link as I’d thought we’d done it before. (I am replying to your post in the ‘shit together part 2 thread’).

How about if I do it while quoting you?

didn’t work

that works, but I knew you could do that already

The writer is Steven Knight - also the writer of Peaky Blinders, Dirty Pretty Things and erm Burnt.

Unfortunately I haven’t seen any of those things so not really sure what point you’re making.

Thought it was pretty good actually.
Quite like Tom Hardy.

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I liked it and I am a Welsh so there

I enjoyed it.

Good film.

The point was he’s written some really good stuff previously!

really bad
bad accent
the people on the other end of the phone were bad and sounded totally disconnected like they weren’t in a real conversation at all
turned it off about half hour in
sorry tom

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I wasn’t meaning to call into question the quality of the writing itself just whether the writer (and filmmakers) had far more sympathy for this character than I did.

What’s Brian Eno got to do with anything?

Guys, I only made this thread cause I thought there’d be loads of ‘lock’ based ones.

Cheers Ant for the false precedent

what’s the deal with cement?

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I could tell you if I understand a bloody word he said

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