I was a bit obsessed with The Doors as a teenager (I must have watched the Oliver Stone film around 50 times - definitely a good use of my time). With the distance of several years, I would describe their output as…variable.
When they’re good, they’re really good - personally I prefer it when they get super dark, like on The End or When The Music’s Over. While the ‘poetic’ side of Morrison’s lyrics and Manzarek’s organ and bass keys might not be to everyone’s taste, it gives them an angle that most of their more beat combo contemporaries lacked. Their lougey poppy stuff can get to fuck however…
The Doors>Strange Days>Morrison Hotel>Waiting For The Sun>LA Woman>>>>>>>>>>>The Soft Parade>>>>>>>>>>>>>>being put on the rack>>>>>>>anything they released post Morrison’s death