Yeah there are definitely some questionable stylistic choices in there. Like having the synth in Geyser starting really loud, dropping right down and then building up again is really shit. Probably seemed like a great idea in theory but all it means is that when I queue the album to follow something quieter from the pre-2000s (which I’m doing quite a lot with 80s hip-hop atm) I just get deafened.
There’s another point at like track 3 or 4 where it sounded like it’s been deliberately recorded to sound tinny but it doesn’t quite work for me.
After 2-3 listens I definitely like enough of it to persevere but I agree with those above who say it lacks a Happy or Your Best American Girl-style showstopper. Think Nobody is supposed to fill that role but doesn’t have a strong enough chorus.