Climax.
Once the proper credits happen and it gets going, I pretty much loved it. It wasn’t actually as extreme as I expected, and I mean that in a good way. The dancing is incredible, the visuals and colour palette is really satisfying, the camerawork, the sound design, etc. It’s all the best of Noe with the least amount of bullshit. I think it’s his best film purely because it does the least amount of stuff wrong.
Some stuff can be seen from a mile off, because it’s got things in it Noe has touched on before and he likes foreshadowing a lot. But that said, this feels original and mostly because of the focus on dance, which helps to look past the wonkier parts of it.
There’s a lot of stuff in there that’s very reminscent to taking acid, to the extent that I think the film wouldn’t be as enjoyable to people who aren’t familiar with that? There isn’t a lot of depth to the film begin with, and my guess is that not relating to that sort of experience would mean it has even less depth.
Dislikes:
- Some of the dialogue in the first half hour is a bit crap (specifically, the repeated graphic sex chat) and it doesn’t take full advantage of its potential to be good sesh-y or character developing content. The opening interviews and dance sequence is great… but the party talking heads section is the messiest part of the film, but thankfully that’s the only time its juvenile and then gets way better
- The race politics are seriously ROUGH
- The philosophy books at the start and the naff text that popped up around the time of an act break, felt like when finishing the film they panicked about there not being enough meaning and threw those in. Did like the VHS tapes though.