Had a few pints lads, so probably not the best way to word a thread title - listening to Mellon Collie and that sort of ends with the same piano riff it begins with.
The last track on Engineers’ debut album revisits the riff from “Forgiveness” albeit much heavier.
There’s bound to be a metric shit-ton of prog albums that do the same sort of thing.
Acid mother’s temple - pink lady lemonade (about twenty times on different versions)
Sun lol moon - Salvador Sanchez and Pancho Villa
The Antlers - Epilogue and Sylvia (an introduction)
this is not really what you’re after but it is hilarious that david longstreth took the last song on amber coffman’s album (which he produced and they wrote together) after they stopped speaking to each other and used it for last the last song on the most recent dirty projectors album (both albums in question are about their break up), AND managed to release it before she could hers. impressive dick move
The piano motif at the end of Closer appears another few times across The Downward Spiral - think Trent Reznor has done similar things on another couple of albums too.
Pinkunoizu’s song Somber Ground has elements of pretty much every other song on the album Free Time - both lyrically and musically.
Pretty sure chastity belt do this on a couple of consecutive tracks on one of their albums. Same riff but a bit slower. Fucking love them for this and many other reasons.
Robert Fripp’s solos on FraKctured and Larks’ Tongues In Aspic Part IV are pretty much identical, and they’re only a couple of album tracks apart. Always seemed a bit redundant rather than “fugue-like” to me.
The Fall did this a couple of times. Mansion and To Nkroachment on the same album. Bremen Nacht and Last Nacht an album apart. Free Range and Das Katerer a whole 8 years apart