😱 Scream if you wanna go faster - the rolling horror thread 2026 😱

Once again, the most magical time of the year…

A wildly mixed bag this year, but tbh I don’t particularly curate the films that I go to so sometimes that is part of the fun. Sometimes.

First up was Labyrinth. This was some kind of Saw/Escape Room mashup and was every bit not as good as that might sound. This is directed by Ryuhei Kitamura, who has made a number of films that I’ve actually enjoyed (Midnight Meat Train, Nightmare Cinema, No One Lives, some others) but this was absolute trash. Felt like a film made by someone who had never seen a horror film before. Looked cheap AF also. Featured Tommy Flanagan who should be doing better stuff than this.

Next up, Dead Reset. Film adaptation of a game (that I’d not heard of) apparently. Lo-fi British production that is a timeloop/reset story. The cast and crew represent the best of the York movie making industry apparently and have all worked together on multiple previous projects. This was clearly made on a budget and looked a bit Red Dwarf at times. That said, it was pretty entertaining and had a pleasingly downbeat ending.

Ithaqua - a far north snowbound Canadian 19th century frontier film featuring Thor’s brother (not Loki - Liam Hemsworth). Unlike the previous two films, this one looked expensive and was filmed really nicely. Problem was that it was a better film film than it was a horror film - the horror elements turn up about halfway through and are initially pretty effective. The longer they go on however, the less they work and the more I think this would have been better as a straight drama film. That said, has some excellent dialogue throughout. Terrible closing scene however that should be edited straight out.

Grind - first great find of the festival finally. This is an anthology film about how shit work is in 2026, which is something we can all relate to. Horror anthologies are usually let down by at least one weak chapter or poor linkage, but this worked all the way through. Really nicely put together and gets a bonus point for Barbara Crampton as ever.

The Endless Ballad - one of the disappointing things about film festivals is having the films’ creators clearly have genuine enthusiasm for something that just doesn’t work for you. This was a prime example - the intro and Q&A saw the director clearly setting out his vision but this was just not for me. Bog standard ghost stuff in an old house featuring a mopey lead who I didn’t care about. Filmed nicely I guess and maybe other people will get more out of it.

Having said that I don’t particularly curate my film selection, when I saw that the Adams family were going to be there I definitely curated myself a ticket to The Glorious Dead. I’ve enjoyed all of their stuff to varying degrees and hugely respect their DIY approach to making films. The Q&A with them afterwards was so lovely and hearing about how many jobs everyone had on the film and how they roped in friends to help make the thing was genuinely inspiring. Film itself was a definite change of pace from last year’s Mother Of Flies. This had (presumably intentional) Fargo vibes and was laugh out loud funny. Surprisingly actiony in places too. Another hit for the fam.

Oof - now if ever a film should have been curated into oblivion, Do You Want To Play? is it. I’ve watched some absolute dross in my time, but this was shiiiiiiiit. Genuinely wonder if this film was made via AI - the script had barely any lines that sounded like spoken English and the crew acted like they’d never even read dialogue in a school play previously. It had weirdly high production values but then massive continuity errors throughout like it had been stitched together from different sources. Terrible stuff. Had to leave before the Q&A with the director as it would have been cringeworthy.

Finished up with Welcome To G-Town. Now this is by no means a great (or even a good) film - it’s ridiculously lo-fi, dodgy script and FX that literally look like something from a pound shop. But, it’s made by a bunch of mates who have just finished film school and guerilla filmed it in Glasgow and therefore has about 1000 times as much heart as the ^previous slop. Hopefully they go on to better things and good luck to them.

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Only actually seen The Substance of these, which I loved. My newer movie watching has really slowed over the past couple of years. There’s just so much out there right now, I’m more inclined to wait a year or so and then check out what folk seem to agree are the best of any given year’s films…

Great write up, as always, and, as always, makes me remember that’s it’s been too long since I spent all day watching films at a festival like this…

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Do You Want To Play? for my money :+1:

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Always thought Vash & Vash Level 2 are under seen, skip trailers though

Surprised they didn’t squeeze the word ā€˜Amityville’ somewhere into the title…

just watched The Weed Eaters. really quite good horror comedy (much more focus on the comedy tbf) about a group of friends who accidentally find some cannibalistic weed. actually really funny in parts but runs out of steam towards the ending

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Beyond the Darkness - 70s Italian one. Basically Nekromantik but with class

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Watched yesterday: Demon. I remember Rue Morgue doing a piece on this some time around its original release back in 2015 and thinking it sounded interesting. Finally got round to it last night and I’m glad that my mind palace retains random movie coverage as this was well worth my time. Even though this Polish film takes a possession based approach to its story, this is definitely not a traditional fright flick, coming across more at times like a drama or black comedy. The set-up is a strong one: the story focuses on the wedding of Piotr and Zaneta, a young couple who are getting married at a rural location in Poland even though they haven’t known each other that long and the fact that Piotr’s having lived in England for a long time and not speaking Polish as well as he might make him an immediate outsider. So there are already tensions at play, a situation which is exacerbated when Piotr comes across bones buried beneath the soil of the home that his new family has gifted him and in disturbing them, he frees something that doesn’t want to stay buried. Far from relying on jump-scares or gore to tell its story, this is more the sort of film you’d show your horror-suspicious friend to convince them that modern horror can be everything the best art house movies are: intelligent, beautifully shot and with real thematic weight. I’ve seen some reviews call out the ending for being too abrupt and while I can see where they’re coming from, it worked for me and seemed to be consistent with the rest of the film. Tragically, the director, Marcin Wrona, committed suicide while the film was being shown at a Polish film festival, an element that definitely adds another layer of poignancy to the viewing experience…

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Love this film, find myself thinking about it way more than seems healthy…

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This ones ace and all

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Yeah kept meaning to watch this one and can’t remember if I did or not now. I never knew the events of the director, tragic stuff but would definitely make you watch the film differently in retrospect.

Has anyone seen Nadja (1994) and is it worth a watch?

https://www.imdb.com/title/tt0110620/

Really liked Leviticus. Thought it was fine up until THAT part, then it stepped up a level. Handled the It Follows similarities well, and I thought the religious aspect worked really well. Strong.