Enjoyed Guy Garvey’s show today on 6M which focussed on this otherworldly classic.
Features some interesting insights from Nigel Godrich, Phil Selway, Tony Wandsworth who had the unenviable job of marketing the album and an old clip from Mark Hollis himself…
This and Laughing Stock are my joint favourite records of all time. I think I discovered them both at the same time so it’s like they’re part of a singular whole for me. Can’t split them up.
Autumn. Leaves turning. These records on headphones. Walking for the sake of it. Just perfect.
Y’know I’ve never listened to Talk Talk? They’ve been on my radar forever, constantly talked up by artists I love and admire, Spirit of Eden has been recommended to me a million times over the years and yet…I’ve not heard a note.
Same for me until recently. Listened on Youtube - thought it was OK. Got hold of the album proper - still think it is OK. Concerned it has been hyped up way too much, but suspect it is a slow burner. I said the same about Slint many years ago.
My listen through Spirit of Eden was interrupted by a fire alarm (the people in the new canteen downstairs haven’t worked out how to make cookies apparently) but I’m enjoyed it a lot. I’ve got a lot of time for that sultry sax work. The second half kinda drifted by harmlessly though tbh - I reckon I’ll need to give it a proper listen at home to focus on the details.
Both this and Laughing Stock are absolutely gorgeous sounding records and totally worth the time and attention. Particularly on headphones.
And whilst there’s the eruptions of noisy guitars and stuff in songs like Desire, for me the real beauty is in the layers, the tones, the space between the sounds used. Also how silence is as important a sound as any of the instruments.
In some ways it’s more like ambient music than traditional songs, despite the fairly standard band setup of the instrumentation.
Happy Birthday!
Colour of Spring, Spirit of Eden and Laughing Stock are all masterpieces.
Definitely agree with the above comments about patience and repeated listening.
Much like Loveless by MBV it took me about 10 listens to find an entry point, 20 listens to appreciate and admire and 30 to cherish (except Colour of Spring which is much more immediate but still has lasting appeal). Now I keep going back to them all.
Big love for Bark Psychosis too. Listen to Hex more often than Dustsucker but they’re both wonderful records and definitely feel of a piece with what Talk Talk were doing at the end, though obviously more ‘groove’ based.