I get that - who wants to see āeveryday miseryā when youāve perhaps already experienced it yourself, but if a drunk Phil Mitchell rampaging in a JCB and almost killing his own daughter can be categorised as āunremarkable storytellingā then I just donāt know 
I will say however that, because soap casts are vast, dramatic storylines do get peaks/troughs and a conclusion. It isnāt just a continuous stream of people arguing over garden fences or popping out to buy milk - some characters get relegated to ājust being aroundā for a while, then it is their turn to take the spotlight in some weighty plot.
That tends to lead to a silly aspect though when a villianous character finishes their arc and, perhaps after a couple of weeks off-camera, comes back into the fold and everyone just treats them normally (a current example being Stuart Highway in Eastenders) but I guess if a performer tests well then the producers will want to keep them in.