The Los Campesinos! listening club: Sleeper hits for weeping dipshits! A Los Campesinos Christmas starts at post 474!

title track is so fucking good oh my gOD I LOVE THIS ALBUM so fucking MUCH

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this has reminded me i almost got a doe eyes tattoo a few years ago but it didn’t happen coz my emails were doing summat weird and blocking gmail addresses so i wasn’t getting the artists replies consistently. i thought she ghosted me coz she didn’t like my idea and didn’t want to do it :frowning:

actually think Plan A is a good shot in the arm after the slow, vibey ending of We’ve Got Your Back. the real question is should 200-102 just be part of Straight in at 101? no

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some people give themselves to religion
some people give themselves to a cause
some people give themselves to a lover
i have to give myself to goals

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Their best record for me Clive - leaning darker, getting more bitter and definitely pushing the boundaries of their sound into something more mature. Each song has something incredibly cathartic; a really wonderful achievement.

“Let’s talk about you for a minute”, before a record that is of course Extremely Gareth, is my favourite opening line in any album ever.

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This was the last album I got round to listenening to. I drifted away from them after HONY and got back in between No Blues and Sick Scenes. As such I would have put it as my least favourite for a long time.

I kept listening though and it grew on me. It’s so, so good. The album is really dynamic and varied and each song goes different directions. Gareth’s voice sounds fuller, the music is incredible. Each song has bits I want to sing along scream out.

Very good album

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Very tempted to get “I’ve learned more from toilet walls than I’ve learned from these words of yours” tattooed on me somewhere, but it’s a bit long, isn’t it, and having the word “toilet” on my skin doesn’t feel quite right. But it might be my favourite line from any LC! song ever

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this is very surprising

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Honestly dont understand it myself

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I don’t think tattoos would suit me at all, but if they did I would be right there getting

So fucking on
And so fucking forth
[Hands logo]
We’ve got your back
Whatever that’s worth

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I nearly got a tattoo of a wishbone in between my boobs because of LC! but decided if get my chest tattooed I want a big cohesive thing.

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just remembered this fridge magnet i found in a charity shop and obviously picked up because of this record


s

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favourite track on Romance is Boring

  • In Medias Res
  • There Are Listed Buildings
  • Romance is Boring
  • We’ve Got Your Back (Documented Minor Emotional Breakdown 2)
  • (Plan A)
  • 200-102
  • Straight in at 101
  • Who Fell Asleep In
  • I Warned You: Do Not Make an Enemy of Me
  • Heart Swells/100-1
  • I Just Sighed. I Just Sighed, Just So You Know
  • A Heat Rash in the Shape of the Show Me State; or, Letters From Me to Charlotte)
  • The Sea is a Good Place to Think of the Future
  • This is a Flag. There is No Wind
  • Coda: A Burn Scar in the Shape of the Sooner State
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score out of 10 for Romance is Boring

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score out of 10 for All’s Well That Ends

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man these song names are annoying, fair dos

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Romance Is Boring is my favourite ever album

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yeah its up there

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Haven’t done much writing in this thread, but I finally got around to listening to the RIB remaster and thought I should share my thoughts.

I understand why people love this album and why for many it’s the band’s high point, but honestly, it doesn’t quite click for me. I think the one-two punch of Letters from me to Charlotte and The Sea is… is probably their greatest moment as a band and as song writers, but too much of the album is messy, noisy or annoying. Plan A is probably my most disliked LC track, an insta-skip, every time. The singles are fine but don’t excite me. It’s a good album (all their albums are good), but a flawed one.

Sorry!

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They’re certainly absolutely bonkers on my phone, but I always quite liked the little internal references across their titles - Documented Minor Emotional Breakdowns and Heart Swells, etc

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So i listened to ‘RiB’ in full for the first time in years at the gym yesterday. So good.
Started doing a track by track thing in the notes on my phone but got bored pretty quickly.
Some ‘highlights’ from that though:

  • The album is obsessed with bodily fluids - the vomit in your gullet, sweating off the cheat notes on your thighs, piss-soaked jeans (probably more) - and that in itself tells us this is a new era for the band. It’s not a ‘sexy’ album by any means but it’s all about sex, and no longer cloaked behind cutesy metaphors like it was in the ‘HON,Y’ era.
  • ‘There Are Listed Buildings’ is a properly good single that could have slipped onto the XFM/6Music A-list at the time if it had the right push. It would have been an outlier but it could have done it, I reckon. Although I think, in 2009/2010, the conventional indie guitar band (which LC! are, at their core) which Pitchfork had been pushing for most of the 2000s was kind of being edged out by the more psychy, cerebreal stuff coming out of North America at the time - Animal Collective, Dirty Projectors, Yeasayer, MGMT - so maybe the album was just out at the wrong time.
  • It does feel like a kind of last chance saloon for the band’s commercial hopes. They throw everything and the kitchen sink at it, so you do get that sense of messiness and whiplash as they go between songs as disparate as ‘Plan A’ and ‘Who Fell Asleep In’. I have this album as a 2x LP but I don’t know if it was ever explicitly marketed as a ‘double’ album. It made sense to have it divided into 4 sections though and kind of broke down the chaos into more managable thematic chunks.
  • ‘The Sea Is…’ blew my mind when they released it as the lead (?) single. Honestly, such a step up from anything they’d ever done before just in terms of its maturity (sigh).
  • There’s loads of great little moments - the gasp for breath that Gareth does right at the end of the title track aftet the music stops stands out now but there’s loads.
  • ‘There Is A Flag’ is fine but it just comes at the wrong time. ‘The Sea Is…’ into ‘Coda:’, boom, job’s a good’un.

Thanks for coming to my TED Talk.

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Have been listening along in parallel to this without properly posting, the first 3 records are all fantastic and I have a lot of love for them all - some rushed summary thoughts

HONY - came out at the perfect time for me and what I wanted to hear at the time. It’s impossible to separate the nostalgia from how I feel about it but I still think it stands up brilliantly and is still so much fun to listen to. Some lyrics yes are a little cringe now but on the whole I still love the OTT nature of them and the whole mood of the album - a brilliant, brilliant debut

Ps. I really like the album artwork and won’t have a bad word said against it!

WABWAD - stands up much more as a collective piece of work than I remembered, and is beautifully concise. It’s (relative to what came before and after) slightly more subtle (perhaps the wrong word) and feels like a slight maturing of their sound. The title track and ‘fingers for crossing’ are all timers

RIB - more perhaps to follow on this one but yeh, count me in for the ‘I think this is their best album’ club on this one. It’s fantastic - slightly
more raucous and harder hitting in places than what came before. I agree with points above that they clearly went all out on this one - you can feel the blood, sweat and tears that went into it and it feels like it’s on the brink of falling apart at any moment in the best possible way

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