Halfway through my second listen to IWBLTATT, and it’s confirming my long-held belief that this stark, glacial, doomy, 80s goth chic (first heard on NOCEK before being diluted) is perfect for the Sad and James’ voice in particular - an ideal blend of guitar noise and synth massiveness. I guess I feel their current musical direction has more variety and longevity about it than the sound of their first two albums - they were both incredible obvs, but I’m not sure where else they could go in that style without treading old ground.