This is an important conversation to be had and I’m not trying to shut it down.
Meanwhile, I am aware that people are continuing to shame me and this website publicly, and often refuse to engage in any dialogue about it. People who were quick to suggest boycotting the site did not react at all to my apology. We don’t live in an era of retractions and “we” are quick to turn outrage into oblivion.
I have spent the entirety of my adult life building this website from nothing - often at great personal expense. I have never knowingly abused my platform and I have always put equality and to some extents positive discrimation to the fore of my activities.
The site was launched with an incredibly diverse range of voices and has always continued from this foundation. There have always been a lot of women involved in the writing team, in fact there are often far more women than men regularly contributing. As they’re on average our best writers (percentage wise 99 out of 100 submissions to write for the site are from average men who can barely use apostrophes), usually given the big exclusives or regular roles (like Wendy Roby doing the singles column for years). I used BSKYB’s money to launch not just The Quietus but also The Lipster with Jude Rogers, which was the first music blog edited and written entirely by women. I also ran a record label that was - because they were by far the best applicants - staffed 80% by women (who’ve all gone on to run labels like Matador or work with Liam Gallagher, Florence, and Justin Beiber). I’ve released records that shockingly no one else in the UK industry wanted to release by the likes of Martha Wainwright, Metric, Emmy The Great, and Bat for Lashes. I’ve also dedicated a great deal of my time to managing The Anchoress and George Pringle (the only other artists I’ve managed is Ed Harcourt and briefly Juanita Stein). I’ve also curated/promoted festival line ups that have either been gender balanced (who else would have Laura Marling play her first festival slot opening for Gallows!?) or in some cases all women, since the very early days of DiS (our launch party was headlined by Twist). That’s not to mention that as a site we have always been aware of presenting the balanced world we want to see, and I’ve championed and celebrated everyone from Electrelane (our first album of the year) to EMA, Sharon Van Etten, St Vincent, Marissa Nadler, Etc Etc.
Of course, this is what every publication should be doing (many of my digital peers are great at giving a platform to a diverse range of voices and not celebrating the dead-eyed masculine culture that came before us) but I am well aware that it can easily be undone by the worst examples. I just felt it was important to outline who I am and what I have tried to represent and that this is far from typical let alone tolerable.