well yeah, there is the Fascist association and Crali was mainly painting during WWII and after (he lived 1929-2000)
but for me it really sums up the fetishisation & seduction of speed & technology with the nightmare shadow of destruction
Crali’s best paintings always seem to be ambiguous about whether the viewer/protaganist is about to unleash death or whether they’re about to be blown to smithereens themselves- I really like that drama and tension
I have this one - ‘Before the parachute opens’ - as my screensaver