šŸŽµ How Good Are They Really šŸŽµ Arab Strap

Bit disappointed I couldn’t vote for ā€˜The Shy Retirer’ as best single because I definitely bought that single and I love it.

This is a belter:

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Oh, Shy Retirer was an EP. Don’t remember that!

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So for HGATR after HGATR I have been posting variants of ā€œloved their earlier stuff, made some really important records to me but I fell out of love with them along the way and their most recent stuff hasn’t much impactā€ for lots of long running bands.

Arab Strap are the opposite.

Really really love As Days Get Dark. It’s in the running for one of my albums of the year and yet I couldn’t get into their initial run when I listened to them years ago. I did enjoy the live album but I remember The Red Thread bored teenage me to tears.

Not sure if they’ve changed or I have. Suspect it’s mostly the latter. Think now I’m 43 I’m in the right grumpy old man headspace to finally get them.

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I bought the greatest hits on the back of really liking First Big Weekend, but it never quite clicked with me. Feels like a band I would like if I could give them the time.

Stood next to Aidan Moffat at a urinal once. He was as drunk as a lord.

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FIVE!
I love them! Lyrically and musically just astounding. The way each song is thought out and delivered is just lovely. They can make you laugh and cry all in the space of one song.

I think I first heard them through the Guinness advert but it was Mary-Ann Hobbs who really introduced them to me on a wider scale.

I don’t know how they do it but they don’t half make amazing music in Scotland.

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really not familiar with them at all, despite knowing their name.

is this his band? not sure why ive heard of him either :confused: ?

WTF didn’t know Simon Pegg was in a band. 1/5

Prefer Aidan’s solo stuff. Think his work with Bill Wells is phenomonal. And his movie ā€˜Where We’re Meant to Be’ and its accompanying soundtrack is top tier.

4 for the later Arab Strap stuff. Not keen on the early ones.

One of those bands that occasionally pop up on music league or random playlists that makes me think ā€œoh yeah, been meaning to check them outā€, only for me to listen to them and then completely forget what they sound like. Which probably isn’t a good sign.

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5 this thread is either going to:

  1. Make me get a ticket for tomorrow night in town
  2. Remind me I’m missing one of the LPs that I now need to buy but I can’t find

probably a mixture of the 2.

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Malcolm Middleton has this strange ability to compile simple, almost trite and irritating fragments of melody and through the course of a song slowly transform the pieces from something that almost verge on being annoying, into something which you start to realise is quietly blowing your mind whilst pulling a whole lot of heart strings. A humble and self-deprecating song-writing genius in my opinion.

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Hearing First Big Weekend for the first time was electric, felt really fresh and unlike anything else I’d heard, made me a bit giddy, absolutely nails that feeling of a Summer wasting. Friday night we went through to the arches… Beat kicks in. Yes. yesyesyes. The sort of song you push on your friends saying you have to hear this, and they love it and ask if you’ve got anything else like it and you don’t because there isn’t.

My problem is I struggle to listen to most of their albums, I have to be in a very specific mood and if I’m not it can be challenging. I prefer them in small chunks, they really hit the spot for me like that. I think the Rocket Take Your Turn/Blackness single is the best thing they released. I love the dynamics on their longer songs as they stretch out, Blackness, Girls of Summer, New Birds. I think they’ve all been posted already so I’m going to post one of their more concise, poppy moments.

I’m more of an Aidan Moffat than Arab Strap fan. I follow him wherever he roves, bawdy retellings of traditional tunes, odd records made up of sampled Exotica, Quietus agony Uncle columns or singing bottle openers. Where You’re Meant To Be is well worth a watch. I don’t think it gets heralded much but Aidan has a great eye for design too, I could be wrong but I think he’s done all their covers. HGATR Aidan Moffat over the breadth of everything is an easy 5. Everything’s Getting Older with Bill Wells is one of my favourite albums released this century, The Copper Top is…my eyes have just filled up typing the title …is an absolute wonder of a tune. Gives me a really heavy feeling of sadness in my chest when I hear that opening piano but ends up leaving me somehow lighter. Cathartic.

I thought the RM Hubbert collaborative stuff was wonderful too and Cut To Black was a perfect way to close that chapter.

I’ve not spent much time with the comeback album but I very much like it based on the couple of listens so far. Turning Of Our Bones was such a great return. Amazing highs and I’ve got so much goodwill towards them, so much love, really, that it will be a 5.

Never seen 'em live, seen Wells and Moffat twice though. Once in a Working Mens club in Sheffield and once at Latitude. Got mobbed by teenagers rushing the barrier towards the end of the set, thought wow ,good on them for cutting through to the youth til I realised I was minutes away from watching an Ed Sheeran secret set.

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i like them, feels like dis has talked about them non stop lately though

Thought their previous albums were quite patchy but had some real highs, whereas their new album is just brilliant all the way through - it’s much more droll, sonically, the songs are more interesting, the production’s better, etc. Really feels like they’ve fulfilled their potential. Forgot I’d actually seen them when they first reformed a few years ago at Field Day too. They were great - full sound, lots of energy. Played all the songs I really like. ā€˜Twas a good time.

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I only really know First Big Weekend, I wasn’t really paying enough attention when I heard the latest, but Aidan’s such a top boy I might give them a good score anyway.

Fully backing @dktrfaustus btw Where You’re Meant To Be is an amazing film

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Bought Philophobia when it came out on the basis of reviews and never connected with it at all so have only listened to the odd subsequent track and never liked them. Nothing terrible about them but I don’t tend to like his vocals on Mogwai tracks either.

Never done much for me

Everything I’ve heard seems like bad poetry with gratuitous naughty words and meat and potatoes backing tracks

Think I laughed at one about a big dick once

2/5

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Anything less than a 4 is a crime against Scotland

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