đŸŽ” How Good Are They Really đŸŽ” The Libertines

Cure have a number of classic albums btw and the Libertines have 1 and a half barely notable singles and a legacy of completely vapid, nothing shite

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A 2 for Can’t Stand Me Now and Don’t Look Back into the Sun. Can take or leave most of the rest of the first album and pretty much everything after and the less said about Doherty the better quite frankly.

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:thinking:

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1/5, awful band, no redeeming features or songs. Better not be higher than Rancid.

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Interesting that several people have spoken up about the drummer, but no-ones’s mentioned the bassist.

WHAT ARE YOU ALL HIDING?!

Have you ever heard Yeti?

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He made SFA’s Yeti suits? Good lad.

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Only 2 decent songs and both written by someone else. Can’t Stand Me Know (Mark Keds) and Don’t Look Back into the Sun (Bernard Butler - allegedly).

There was a glimmer of something interesting about them at the start, but it was quickly submerged in a morass of hype and bad drugs. Pete Doherty is a genuinely shitty human being. Just scrape a 2 for using the phrase ‘what a fucking div’ in a song.

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learn something new every day on here

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I mean the debut album has a distinct suggestion of recent smack use on its cover and it’s considered an iconic image. I think the elegantly wasted posturing is harder to separate from the music than e.g. britpop/lad culture from Oasis, for example

I did know this but had completely forgotten in my rant above. They bear responsibility for Razorlight.

Negative points, please.

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Ooft

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Pete Doherty’s biggest sin is laziness

If only that were true.

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This is a bad take in relation to Foals and The Horrors in hindsight

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So Come, I Am Waiting, which is absolutely my favourite song of 2005 that didn’t appear on the album Illinois.

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:grimacing:

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It’s just weird regardless isn’t it? Is this person basically saying that if you’re writing/recording music then if other people say it’s not right and you say otherwise you’re a waster? I mean this is how art works: someone makes and they decide it’s how they want and everyone else gets to decide if they like it.

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That’s interesting as I thought the NME was dead and buried by 1999 - as soon as the paper changed from old newsprint the qualtiy of journalism seemed to go down, but maybe it’s jus because I wasn’t interested in the bands they were covering at the time. There’s no doubt the Conor McNicholas era fucked it forever though.

I’ve always wondered about that MySpace thing - it wasn’t really the band was it.but just a fan who had uploaded digital copies of their demo tape? Remember the media hailing Arctic Monkeys as the first of a new generation of groups expoloting social media, but I don’t think they even knew they had a MySpace.

First I heard of them was on the Evening Session when they used to do that battle of the demos thing. That was almost a year before the NME finally picked up on them.

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