Chance returns SIX FUCKING YEARS after The Big Flop, the wait ensuring that he slide into complete irrelevancy. Is this going to be his redemption? I’m not sure we’ll ever get the artist Chance might have been, but it’s hopefully a step in the right direction.
Dijon - Baby
Merging Americana, bedroom pop and neo-soul, Dijon’s debut made for one of the most interesting US pop debuts of 2021. This one comes with little forbearing and no singles, but I feel pretty confident he’ll have something interesting to say.
Joey Vance and Brae – Hyperyouth
You possibly know if you love or hate these guys by now. It’s the Beastie Boys… again! Barrelling down an alternate reality where a style of rap that was well aged by the mid-90s continued evolving so that collaborations with the likes of JPEGMAFIA and Rebecca Black could exist, these guys are in your face but never dull.
Kaytranada - Ain’t No Damn Way!
Haitian multi-talented producer, who’s equally comfortable making rnb, hip hop, house, and exploring all the spaces in between, making dance records that feel best listened to at home, and typically littering his albums with a lot of high profile guest stars.
Evidence – The Unlearning vol. 2
Rapper, producer, former Dilated Person and pretty ever reliable underground hip hop stalwart Evidence returns with a sequel to one of his best albums, 2021’s unsurprisingly titled The Unlearning vol. 1.
Gabe 'Nandez and Preservation – Sortilège
Bubbling under in the underground hip hop scene in the last few years, Gabe 'Nandez now teams up with one of its best, most consistent and most prolific producers. It contains BOTH a feature from Billy Woods and from Armand Hammer, which is quite a cosign I guess.
Murs - Love & Rockets 3:16 (The Emancipation)
Vet of the LA alt-rap scene Murs has flirted with retirement for a long time and become increasingly quiet where he was once prolific. Mello Music call this album “a grand finale, a reflection on a storied career marked by honesty, humour, and razor-sharp lyricism” and hopefully it sees him return to form.
Lo-fi indie. Two new songs by the Baltimore 80s/90s bedroom pop singer songwriter Linda Smith and two wistful 60s style psych pop tracks from fellow Baltimore band The Smashing Times.
Ninth(!) album of twisty-turny, inventive post-hardcore from Pile. Really liked the couple of early singles I’ve listened to and Rick Maguire’s voice sounds in as good a form as ever so looking forward to this.