January = 40 features and 5 shorts.
Top 5:
8 1/2
Taming The Garden
The Tragedy Of Macbeth
Ascension
Ivan’s Childhood
Rounded off the months with these:
Flee 4/5
A wonderfully made and unique animation rich with such care and heart. Delicately captures so many emotions and vitally important lessons that need to be understood about compassion by our governments and media barons. Should be on the school curriculum.
Shallow Grave (Film 4) 3/5
Screams directorial debut and very much a story that would be a late night drunken discussion. The music/sound was really off, which struck me as that aspect of Trainspotting was so vital and key to its legacy.
Equilibrium (Great Movies) 3/5
Not sure why it took me 20 years to watch as it ticked a fair few of my interests back then …with a post Matrix style, broad Orwellian philosophy, dance routine action and FPS gun porn. It is very much those things and so on the nose that age hasn’t been too kind to it - so think it might actually have benefited from my inexperienced teenage eyes.
Sing 2 (File) 2/5
Hard to say anything other than “more of the same” and “fine”.
The Souvenir (BBC2) 3/5
An interesting backdrop and solid performances, but being so ‘authentic’ really left me cold. Liked the floating aspect of the relationships with us drifting in and out of time. Struggling with empathy and that’s a tough hurdle to climb.
The Incredible Shrinking Man (Horror) 4/5
Didn’t come across as gimmicky at all and far more heartfelt than I expected. A rather thoughtful and profound psychological study of a man going through that ordeal. Then when you add on the wonderful effects using scale and perspective so well then you really have something special. Would love to be transported back to a 1957 screening to see the reactions.
In The Heat Of The Night (BBC2) 3.5/5
Could be seen as conventional and televisual in many departments, but it’s social and political message (and odd moments of cinematic flare) elevate it above.
The Falls (Netflix) 3.5/5
Great of Netflix to drop this on Lunar New Year as we’ve been anticipating it for months. Loved certain aspects, but thought it was oddly paced and judged in others. The ties into the pandemic and how than can spawn and exacerbate physiological trauma is an interesting thread to follow and explored rather well. The same could be said for the use of the iconography of the (face) mask and the many physical and invisible boundaries it can create. So far everything i’ve seen set during or using the pandemic from Inside, The Help, Life In A Day to The Falls have all been poignant takes on this traumatic period of time.